My previous post, On Process: Verse Writing, Part III: Home Stretch and Final Draft, dealt with the last phases of my verse writing process toward a complete elegy for Leonard Nimoy. It also contains excerpts from the finished product. This time, for my final post of the series, I reflect upon both process and product, sharing my self-evaluation and how I’ve grown as a writer.
Update: I decided that reading the poem aloud was an important final step, which led to a few more revisions, and I feel more satisfied with the results than when I last thought the poem was finished. Next comes peer feedback at writing group.
You’re welcome to comment or tweet @Carrielt37.
The Verse Writing Process, Part IV: Reflection
- Remember, and say something in memory and support of, Leonard Nimoy.
- Create a fitting tribute by carefully attending to emotion, detail, and quality.
- Finish The Daily Post‘s Writing 201: Poetry, Day 5 task: elegy, fog, metaphor.
- Learn about the features and models of elegies, and apply lessons to the work.
- Chronicle the process I go through and assess how it affects the poetry and me.
- Share my poem and journey with poets, writers, poetry lovers, loved ones, all.
As of this post, I believe I have reached goals 1-5 and some of 6. The skill with which I did so is another matter. I know the poem is not perfect, the posts about it are not perfect, and I expect no acclaim for either. I only hope for reader enjoyment and some degree of acknowledgement, some day.
How did I do all this?: Lessons learned
Beats me! Well, no, that’s disingenuous. But seriously, I was pleasantly surprised by the results, but I guess it shouldn’t be so surprising. With all the structure, rules, procedures, and restrictions I applied, I doubted my ability to tap into my creative side effectively at the same time. However, I am an experienced verse writer, though not yet published; I do possess some skills that deliver. Being accountable to my blog followers doesn’t hurt either!
The thing that helped most was probably my determination to celebrate Leonard Nimoy. Passion for the subject and, thus, the project is a great motivator. In a way, I didn’t want to let him down. Losing the man was sad enough without also losing a cohesive, coherent, tangible expression of that loss. Choosing to write an elegy really commits you to it in a unique fashion.
I think it worked fairly well, too, because I intentionally toggled between roles throughout: from writer to my own beta reader, from creative to reductive, artist to analyst, right brain to left and back. It helped that I opened myself to a new process.
This time, to let the art live and breathe, I let the ideas and feelings flow on and on for a substantial period before I even started thinking about poetic form. I added the missing ingredient of idea development to my verse writing process. When it was time to craft poetry, the parameters no longer seemed so restrictive.
Still, I wonder, now that I’ve judged the work to be done, whether or not the form and structures I imposed squeezed the life out of the art, making the poem feel choppy, seem forced, or come off as boring. Using the shorter tetrameter line (four units of one stressed and one unstressed syllable each within the same line) compared to the traditional hexameter-pentameter alternating lines of the elegy might have helped the squeezing along.
The formal, archaic language I tend to gravitate toward may also be a contemporary reader turn-off, but that’s kind of its own conundrum, a larger issue across much of my verse. I guess I’m just old fashioned.
The point is, I know I still have a lot to learn. This was my first elegy, and I am extremely proud of the results for never having attempted this kind of poem before. I felt comfortable using meter, rhythm, rhyme, alliteration, enjambment, punctuation, syntactical inversion, and the other specific devices I applied. But I realize there are other considerations besides the minute details. See Poetry Foundation’s Glossary Terms for more information about poetic devices.
A vital turning point
This time, in a real, significant way, it was the bigger picture, the thematic and tonal journey within the poem, that I learned more about how to execute. That might have something to do with my experience participating in National Novel Writing Month for the past 4 years. I have become more comfortable with longer forms of creative writing.
Prior to that period, my poetry felt stuck or trapped, without clear purpose, clear meaning, or a sense of satisfying completeness. This effect may be why, though I have always loved reading and writing in verse, I only wrote a poem or two every six months for several years.
The elegy‘s big picture, for instance, is that it has three main “movements,” if you will: lament, praise of the departed, and acceptance. A condensed version of the psychological stages of grief you may be familiar with. Fortunately for me, by this time in history, the rules beyond that structure have very much loosened or fallen away.
They already had cut me some slack, so I cut myself that same slack when it was time to assess my results. As a self-proclaimed recovering perfectionist, I’m also proud of doing that. Ultimately, good enough was good enough.
We all have to do that for ourselves, just as much as we need to work with diligent care in our writing. It’s what makes public expression possible, that final letting-go.
Note that I have no immediate plans to publish my whole elegy, so, clearly, I have yet to embrace fully, to trust an audience with, such a release. Of course, that’s not just a personal issue; writing in general, and poetry writing in particular, can be a poor way to earn an income. The trick is to find some value in publishing it despite the deterrents.
Now that I can see, for the first time in years, that I am developing in my craft, I can also see that next stop approaching, the point of full sharing, of unfettered expression. And I am more ready for it now than ever.
Oh so meta: a new awareness
Thinking about the verse writing process in a holistic sense–thinking and writing about my writing process for a specific project with clear goals–gave me a new kind and level of structure within which to create. It helped me maintain a balanced approach and perspective on how things were going. I saw my work through my reader’s eyes in a more real way, and I recognized more clearly my limits and potential. Accountability met confidence and led to productivity. It’s very encouraging.
As I say in the last stanza of the poem, in essence, for ourselves and on behalf of those who’ve gone, we the living, so privileged, must press on. We must act in gratitude for every remaining moment to choose freely our own way. Some day, that freedom will end, and so will we.
Carpe punctum. Seize the moment.
I have cherished these moments remembering Leonard Nimoy and his celebrated character Spock. In a way, I’d almost rather not finish working on the poem because it’s like a final good-bye, but at least now I have it to come back to, along with access to most records of his life and achievements. Thank you for spending some of your moments with me as well.
? What are your thoughts on this series or on verse writing? I welcome your comments or tweets @Carrielt37.
If you’re just joining me and would like to read about how this project began, go to On Process: Verse Writing, Introduction and Part I: Motivation and follow the bread crumbs from there.
Thanks again for following me on this journey of writing–and thinking about the process of writing–in a new poetic form, the elegy. I wish you all the best in your own creative endeavors.