In service of writer-to-writer, artist-to-artist encouragement, this excerpt in particular inspired my reblogging. It contradicts the notion that daring or interesting life experiences are required to fuel good writing, and it reinforces a belief I have held that a structured environment can be the best home for beauty’s thriving:
“As Mann herself said—riffing on Flaubert—’You should have an ordinary and organized life so that you can be extraordinary and original and outrageous in your creative life.’ (Admission: I didn’t know this Flaubert quote, and, as a fiction writer with a very ordinary and organized life, found it enormously comforting.)”
Over the three years I’ve been writing The Literate Lens, few events have screamed “blog post!” as loudly at me as the one I attended last night at Symphony Space, in which Sally Mann, the acclaimed photographer (who, by her own admission, rarely leaves her Virginia home), was in conversation with Nashville-based novelist Ann Patchett.
I’ve loved Mann’s work ever since she blazed into the headlines with her 1992 book Immediate Family—I’ve followed her since into some strange and dark territory, and knew, from the essay excerpt published in the New York Times Magazine a few weeks ago, that her new memoir Hold Still would be fascinating. I also loved Ann Patchett’s 2011 novel State of Wonder, which can roughly be described as a sort of contemporary feminist version of Conrad’s Heart of Darkness. A photographer-turned-memoirist in conversation with a novelist—needless…
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