Review: Sandringham in Outlander STARZ – Beyond Adaptation

As promised, here’s the re-blog of my in-depth review of Simon Callow’s performance as the Duke of Sandringham, focusing on the final scene of the Outlander STARZ episode that just re-aired at 9pm EST, ep202, “Not in Scotland Anymore.” Prepare for the ultimate unpacking! (No, really.)

This extended review of his work in that one ep202 scene—a thorough indulgence in villainous juices—precedes my review of eps 201 and 202 overall.

These few posts first accompanied Season 2’s U.S. premier in spring 2016.

Stay tuned for the next re-blog or find the post on my site: “Outlander STARZ: Season 2 Review, Eps 201 and 202.”

Philosofishal

Previewed in my post Five-Phrase Friday (37): No “Callow” Craft, this review takes an in-depth look at the final scene of Episode 202, “Not in Scotland Anymore,” in the second series of Outlander STARZ, based on Diana Gabaldon’s second Outlander book Dragonfly in Amber. It is an episode that manages to capture practically everything our heroes grapple with for the rest of the first half of the season. Spoilers imminent.

Paris, 1744. Escape, recovery, new purpose, new digs. Specters of a horrid past in Scotland and its bloody future. Mysticism and superstition in France as in the Scottish Highlands. Duels and fighting practiced, threatened, and restrained. War and religion married in royal ambition. Wine and money mixing with political lies and secret agendas.

Sex, sex, and more sex in anticipation, pursuit, dark corners, and gossip. The irony of an extremely sexy early marriage in Scotland for Claire and…

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