#Outlander #ClaireandJamie #ep306
#Outlander #ClaireandJamie #ep306
The legend of Lallybroch continues to gain traction with each Outlander episode that features the Fraser estate. Tonight’s episode 2, “Surrender,” of Season 3 finds a broken Jamie Fraser at home once more, but that home will never be the same without his wife Claire, back in the 20th century, and with echoes of the Jacobite rebellion’s defeat throughout the Scottish Highlands.
Today is also the date one year on from my husband’s and my Outlander day tour with Slainte Scotland, a tour that began at Midhope Castle, the site of our beloved Broch Tuarach. As I noted in this reblogged part 5 of the blog series, “An Outlander Tourist in Scotland,” we were among eight lucky fans to be the last tourist group—our intrepid insider tour guide Catriona Stevenson informed us—to visit the castle ruins two days before Season 3 filming would begin there.
The stairs to the front door were covered with plastic and construction cones, and other equipment lay off to the side in preparation for filming. Not the best for photographs but certainly magical for anticipation of an active adaptation’s continuing into a third season. And here we are.
The story comes to life again tonight, 12 months after its filming, on STARZ at 8pm EDT, perhaps with a scene or two created during that first week back at Lallybroch starting Monday, September 19, 2016.
To my husband, whose support of my Outlander habit—and habitat—is unwavering, I dedicate this commemorative reblog of our multi-faceted Outlander tour review. Welcome home, Sassenachs.
And stay tuned to this spot for more reblogs and original posts from the rest of our trip later this week and into next.
I thought I could fit it all in one final post, but that proved to be a mighty miscalculation. I had far too much to say about the Outlander tour alone–big surprise!–and I still plan to provide an overall series wrap-up. In fact, this post is so substantial, with pictures and tons of Outlander-related resources, I thought it best to include a table of contents. Get ready for everything (else) you need to know to create the best Outlander adventure for you and yours!
The final post is forthcoming. If you missed any of the first 4 parts of the series An Outlander Tourist in Scotland, you can find them in my blog’s Scotland and Outlander sections, linked through Scotland Ventured, Scotland Gained, or in direct links to Part 1, Part 2, Part 3, and Part 4. The first 3 parts showcase…
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Featured image: Claire & Frank walk Culloden Battlefield, grave markers center, memorial cairn right, Outlander Ep105, “Rent,” credit: STARZ/Sony Pictures Television
Warning: Possible spoilers from Voyager, book #3 in the Outlander series
The Heart asks Pleasure – first –
And then – Excuse from Pain –
And then – those little Anodynes
That deaden suffering –
And then – to go to sleep –
And then – if it should be
The will of its Inquisitor
The privilege to die –
– Emily Dickinson, 1890
On the cusp of our long-awaited Season 3 of Outlander STARZ, starting this Sunday in the U.S., some readers and viewers renew in their minds, if not through talk, the age-old debate over the quality of a show’s adaptation of the book it’s based on. But not me.
Since I have yet to enjoy a book in the series more than the first, this season’s treatment of book 3 matters less to me than those of the previous two books. By re-watching and closely studying Seasons 1 and 2, I’ve become accustomed to expecting improvements, surprising differences, and lackluster elements in adaptation, and I’m prepared to accept the show more fully on its own terms, independent from the books.
Admittedly, I found this easier after reading of Diana Gabaldon’s endorsement of Season 3, particularly in how closely it follows Voyager. But I never needed exactly identical details to cross the format threshold, anyway; the essence and soul of the story are what matter most to this fan. Besides, absolute mimicry would be both impossible and, if it were possible, a detriment to both book and show. The unique entertainment value of each would decline the more alike they became.
So I won’t be re-reading the book for the purpose of comparing and scrutinizing the show’s third season, and I advise both book and show fans to refrain from the activity as well. Any dipping back into the longest of the first three books for me will be piecemeal and most likely to satisfy curiosity or just enjoy reading.
As a fan who returned with her husband from an Outlander-focused Scotland vacation almost a year ago, my interests in the series relate more strongly to Scottish cultural authenticity, the romance of the saga’s milieu, and the richness of history permeating both series. The people, the places, the times.
During the latter half of our trip, we went to the Culloden Visitor Centre and Battlefield near Inverness and purchased a guidebook there. The impressiveness of the museum, enhanced by my familiarity with the Outlander series and Culloden’s role in it, and the sobering experience of walking the battlefield all made a deep impression on me.
Now I’ve been reading the gargantuan Tolstoy novel War and Peace since May, a month after my president bombed war-ravaged Syria. With lesser eruptions of political violence in my own country and North Korea’s recent missile launches escalating Kim Jong-un’s threats of nuclear war, the power and propensities of my government and others naturally darken my thoughts these days.
At the intersection of fiction and cultural history, then, my current and greatest interest in Outlander STARZ Season 3’s first episode, premiering this Sunday night, is their representation of the Battle of Culloden. With the formidable Sam Heughan leading the cast of Jacobite soldiers, making war look sexy is inevitable, but I hope a healthy dose of realism also accompanies the depiction—a rendering of the oft-obscured losing side of history and the consequences of that loss through the season’s first half.
On the cover of Culloden, the National Trust Scotland’s official guidebook to the battle and field, appear two lines of identical length and thickness. Like railroad ties not on a map but in a picture, they recede at one end, seeming to reach forward and down to the right on the surface, toward some common point of interest—where the pages open. Separated by a word, their other ends point at diverging angles to the sky of the background image.
They nonetheless come from the map, these lines, the red above, the blue diving into the brown straw grass of the funereal field. A blue line, a red line, divided by a clash of cultures, red representing the government, blue the rebels. Blue underscores the beige Gaelic word “Cùil Lodair.” Red upholds the death knell in beige English type: Culloden.
Red rising into the sky, above the fray, above the dead grass of the haunted moor. Blue sinking into the nameless land of burial, of death from final battle in a year-long, lifelong, centuries-long conflict. A conflict said to have been between either English and Scottish, Highland Gaels and Lowland Scots, Jacobites and Hanoverians, or two peoples in a global power struggle for the imperialist upper hand. Shades of each dichotomy fall on the weathered pages of history, but, the guidebook says, none of these alone is strictly true.
So simple, these two little tracks of primary color. So complicated, turbulent, ironic, intriguing, and dark the history they bespeak. Separation, divergence, oppression, progress, strategy, integration, interdiction, imperialism, diaspora—such abstractions are some of the closest we can come to accurately labeling these mysterious, Hydra-headed developments. Mere words, single words, no better than colors, flags, or battle lines for explanation, inadequate to forge understanding.
The causes are many, serial, circuitous, and complex, rendering king, commoner, historian, novelist, and film-maker alike unable to capture fully the why, the how, and, to some degree, even what made this single battle, the Battle of Culloden, what it was. Despite its being the first British battlefield to see archaeological excavation, as with all of history, no one can ever fully know all of what really happened.
Do the details matter? All of them? Every last moment, word, object, event, and item? Recorded history is never 100% true, just as works of fiction, even when not historically based, are never 100% untrue. One could also argue that history itself is an art form, not an exact science. Certain things such as names, events, and objects can be objective elements, fact. The rest is nearly, if not in some ways just, as subjective as the politics and fiction surrounding it. All lines blur at the intersection of life and its representation, where writers and readers or viewers connect.
What is war, after all, but a stamp of failure, the failure of people–clans, nations, and their leaders–to solve problems fairly, honestly, and peaceably? At best, it’s a self-serving grab for power and land, glory and good standing. At worst, fratricide, genocide, evil. Occasionally, it is a pure demand for deserved freedom, but that purity is never uniform across the hearts of those who fight. Generally, war is far less romantic than either fiction or history or current events media portrays, though some things do remain worth fighting for.
This was not my war that I should weep for the lost or for those still suffering its reverberations through the collective consciousness. So many conflicts and disasters are not mine, thank God, not ours, yet they merit no fewer tears. I am human and can empathize with my fellow humans.
To paraphrase Tolstoy from War and Peace, which I’m nearly finished reading, history is the habit of focusing on great leaders’ military conflicts as defining lands and their peoples, whereas it is the individual person going about everyday life, both in waging war and in tending to private affairs, that has most influence on a country’s fate. It is discrete human consciousness and conscience that matter most, not the “hive mind” of collectivism, of self-sacrificing glory and patriotic heroism.
In solemn honor, reverent pride, and moist-eyed commemoration of great public figures, military commanders, and extraordinary patriots credited with ingenious tactics, singular vision or instinct, and pivotal acts of bravery and skill, we write books, erect monuments, fill museums, name streets, and conduct ceremonies.
Yet the greatness of great leaders lies not in their human empathy, but in their ruthlessness, singular focus, and emotionless problem-solving skills. Commanders of armies, Tolstoy claims, cannot allow compassion, mercy—in short, human conscience—to cloud their tactical judgment if they are to be effective warriors. His example is Emperor Napoleon, but the principle applies equally to queens, colonels, dukes, generals, and princes.
It is regular people instead, Tolstoy argues, the common man and woman toiling anonymously and focused on their own lives and families—those who fight, suffer, bleed, and die not for a cause but as a matter of course—who deserve greatest praise and emulation. Better that each does for himself than for the public good; as a result, the public is better served.
Based on direct narrative arguments, characterization, and plot in War and Peace, I think Tolstoy’s belief in the importance of these actions lies in how they preserve people’s lives, loves, and souls. Let your life be a beacon so that others avoid the grandiose, power-hungry, cruel, machine-like, nationalistic, and imperialistic ambitions that only ever result in countless acts of evil.
It is this individual human lens on infamous past conflict that Outlander, too, affords us. In short, though it flies in the face of conventional military discipline, be like Jamie Fraser. Follow your prince as far as you can, and then when it’s clear the cause is lost, save your people if not also yourself.
Although they’re neither my books nor my monuments, museums, or people, I attend the story. And why? Why do I choose to focus on this history and these people over others, including those one could say are more rightly mine? I cling with a sense of loyalty in having adopted threads of a culture not native to me. Why have I selected Outlander, its stories, and Scotland in which to invest my time, money, energy—in short, my conscious presence as an American?
Why did a science academic from Arizona, with no Scottish heritage and who had never been to Scotland, choose a 250-year-old version of that setting for her first novel? Inspired whimsy as much as anything else. An image of a Highlander in a kilt on an episode of Dr. Who pretty much started it all, along with the desire to learn how to write a novel “for practice,” one that became only the first of an international-bestselling series. In short, because she could, and excelled at it.
Now, in more than 35 posts, my blog explores Diana Gabaldon’s imagined saga and its Scottish origins.
The following can all be found through this blog’s menu tab “Outlander.”
- Scotland’s Burns and Outlander rival Shakespeare’s bawdy
- Adapted Bawdy Lyrics: Outlander TV Series, Episode 114, “The Search”
- Happy Poem-in-Your-Pocket Day!
- Response to Outlander Post, “Episode 115: ‘Wentworth Prison’ (SPOILERS)”
- Review: Outlander Season 1’s Ironic Chilling Effect
- Book Review: Outlander by Diana Gabaldon
- 3 Quick Book Reviews: Outlander, Dragonfly in Amber, and Voyager
- Outlander, 2015 San Diego Comic-Con: Binge On
- Five-Phrase Friday (9): “Slings and Arrows . . .”
- Five-Phrase Friday (10): Outlander Grammar
- Golden Globes for Outlander Starz!
- Outlander “2”: Dragonfly in Amber
- Five-Phrase Friday (36): Comic Relief in Outlander STARZ Ep201
- Five-Phrase Friday (37): No “Callow” Craft
- Outlander STARZ: Season 2 Review, Eps 201 and 202
- Review: Sandringham in Outlander STARZ – Beyond Adaptation
- Live Event Review: Diana Gabaldon Skype Session
- Outlander STARZ: “Faith” and Patience
Posts of our Scotland excursion are linked below and through the far-right, top-menu tab “Scotland” on the Philosofishal home page.
Before the trip:
- Book Review: Fodors Travel Essential Great Britain
- The Labor of Learning to Set Limits
- Five-Phrase Friday (38): Scotland
After the trip:
- Morning Fog, Loch Long, Arrochar – photo, the Trossachs (Oct 11, 2016)
- Scottish Color: A Photo Essay – overview of sensory highlights (Oct 12, 2016)
- The Paps of Jura – sea-and-mountains vista; language lesson (Oct 15, 2016)
- Linlithgow Palace, a.k.a. Wentworth Prison – profile of a lesser-known Outlander STARZ filming site (Oct 20, 2016)
- Famous Poets’ Nature Poetry, 5: Of Mice, Men and Rabbie Burns – reading “To a Mouse” & The Writers’ Museum (Oct 24, 2016)
- Kurdish in Edinburgh – restaurant review (Nov 4, 2016)
- Dial up the sun – original poem, plus photos, National Museum of Scotland (Nov 9, 2016)
- An Outlander Tourist in Scotland, Part 1 – my take on Outlander tourism, starting with film sites in Central Scotland (Dec 1, 2016)
- An Outlander Tourist in Scotland, Part 2 – Central Scotland cont’d, Glasgow film sites, south to Ayrshire coast, Dumfries & Galloway (Dec 23, 2016)
- An Outlander Tourist in Scotland, Part 3 – wraps up orientation to Highland sites from Perthshire to Ross & Cromarty to Inverness; Outlander STARZ & my museum/field photos of Culloden Visitor Centre, with commentary (Feb 11, 2017)
- An Outlander Tourist in Scotland, Part 4 – story of my trip-planning process, snapshots of our itinerary, our experience, and improvements (Mar 11, 2017)
- Wildlife TV Programs This Week – a heads-up for Wild Scotland on NatGeoWild. See the end section about select Scotland nature and wildlife tourism options with brief descriptions and links to resources. (Mar 27, 2017)
- Review: Slainte Scotland Outlander Tour + Outlander Tourism Resources – (a.k.a. Part 5) our Outlander tour, Slainte Scotland company review, notes on OL sites we visited alone, profiles of most popular OL film sites, list of 40 OL film sites, resources for OL book and inspiration sites, other OL tour co. links, articles on the show, plus how to survive Droughtlander (Apr 11, 2017)
- An Outlander Tourist in Scotland, Part 6 – the final post in the OL tourism series, focused on Scottish and more general travel tips and resources, based on our Scotland trip experiences (Jun 15, 2017)
And I keep coming back to it—because I’m fascinated, captivated, intrigued, provoked in thought and feeling and spirit. It’s Gabaldon’s masterful storytelling that made all this possible and Outlander STARZ that elevates my interest even further. I write because I want to, because I can, and why the hell not? I daresay Tolstoy would approve.
My husband recently informed me that two Icelandic airlines have started direct flights from Cleveland to Reykjavik. “Wanna go to Iceland?” he asked. My coy reply? “Sure, as long as we can stop in Scotland on the way.” We spent our first vacation of any real length and substance since our 2008 honeymoon on a two-week Scottish excursion last fall. Some day, I hope to go back. For our 10th anniversary next year, I cannot think of a better, more romantic way to celebrate than reprising the trip we both so loved.
Until then, there’s the third season journey of the STARZ adaptation of Diana Gabaldon’s currently 8-novel series called Outlander. The premiere of the TV show’s return based closely, we have now been told, on Gabaldon’s third book Voyager airs in the United States on Sunday, September 10, 2017. Catch the show on STARZ at 8pm EDT or on the STARZ app.
It’s a 13-episode adventure through 1940s-60s Boston, 1960s and 1740s-60s Scotland, and various parts of the Caribbean Sea in the 1760s after our epic romantic heroes Claire and Jamie reunite in an Edinburgh print shop after 20 years and two centuries apart. I know it’s a lot of numbers to parse. . . . Stay tuned.
That separation, made possible by Claire’s time traveling ability, occurred as a direct result of the Battle of Culloden in 1746. In the Season 2 finale, Claire acknowledges to Jamie her new pregnancy and agrees to keep her promise of going back through the standing stones at Craigh na Dun, taking herself and their unborn child safely back to the future (Sam Heughan’s favorite movie, by the way).
While the battle itself is not part of the book’s plot, the TV show’s premiere features Jamie’s version of recalling the battle. The first several episodes then explore the separate, parallel lives of these time- and ocean-divided lovers, wife Claire and husband Jamie, as they struggle to learn to live and find purpose without one another.
As pivotal as it is to Scottish history, so is the Battle of Culloden to the Outlander STARZ drama. And because occasions for artistic representation of the battle are as rare as a total solar eclipse, I’ve chosen this niche topic as we prepare to watch a fresh rendering of parts of the battle in living color.
Culloden Battlefield, a.k.a. Culloden Moor, Inverness-shire. → “The Outlander action is all leading up to the bloody Battle of Culloden in 1746. More than 1,200 [Jacobite Army] men were killed [and nearly as many wounded] in the defeat of the Jacobite [side].” Source: photo caption excerpt. This final battle, while not depicted in the book, will be portrayed in the STARZ show during series 3, which is based on the third book Voyager.
Culloden Visitor Centre stewards, battle and Jacobite scholars, descendants of Scotch soldiers and their families, British historians, Outlander fans, Outlander STARZ cast and crew, and Scots citizens–in short, many, many people no doubt all eagerly anticipate this unique project coming to fruition.
I know it will be unforgettable, and I hope it will bring even more people to this historic site that has long been at the center of Scottish cultural identity and its dramatic transformation.
Although this project is unique, the Battle of Culloden has been depicted in film before. Early during the Vietnam War, the 1960s brought us Culloden, Peter Watkins’ 70-minute docudrama, or “mockumentary,” of the battle in black and white, told as if modern TV cameras were present interviewing participants in the battle. Although I have not seen it, the film appears to have garnered some very positive reviews and has been described as “seminal” in its style and substance.
There is also The Great Getaway, a recent film about Bonnie Prince Charlie’s flight from British justice in the wake of the Jacobite defeat at Culloden, a production in which the battle plays a role. Although a trail of articles tracked its development, I was unable to discover whether this project ever saw the light of day or if it is still forthcoming; if you know anything about it, feel free to leave a comment.
Farther back, in the silent film era, 1923’s Culloden Avenged uses that historical turning point as a pretext for a rematch done archery style between the King’s Scottish Archers and the Woodmen of Arden in an International Archery Contest. Black and white, 60 minutes.
Beyond explanations and images in history books, there are available at the Culloden Visitor Centre museum dozens upon dozens of first-person accounts, artifacts, letters, poems, reenactment recordings, songs, artwork, and other representations of the battle in part or whole. I don’t plan to take my expertise on this subject further than reading all the articles in my Sources section at the end of this post. Perhaps I’ll watch Culloden or The Great Getaway at some point in the future, but history books about Culloden I leave to other readers.
If we accept that history is as subjective as fiction, questions about how and how well Outlander, or any production, portrays history pale in importance to other questions focused separately on history and on fiction. We may be tempted to ask whether something has been misrepresented and how that alteration matters, and we are free to do so. The verdict is up to each individual consumer, however, and there should be no criminal indictment, just literary criticism. Art is for everyone to make of what they will.
As long as, and to the extent that, history’s facts, to say nothing of its general aura, remain incompletely known and in dispute by the descendants and scholars of opposing sides in the conflict (as well as of purportedly neutral persuasion), the question of accurate representation proves rather subjective, if not altogether moot.
Acknowledging this lack of necessity for accuracy leads us to ask a different kind of question. Which elements of story have the most impact on reader perspective? Should certain aspects carry more weight than others?
If we grant that readers and viewers of the Outlander series love it primarily for one, a few, or many of the following qualities—and these are all present, in my humble opinion—then historical correctness takes a farther seat back in the stretch limo:
At any rate, the best fiction, and the best art more broadly for that matter, sets out first to inspire, entertain, intrigue, or provoke thought. It is not, and should not be, the novelist’s job to “tell the truth” beyond what is true to the essence of the story itself. It’s fine to educate and enlighten, but that’s not the top priority with fiction.
Still, as someone whose interest extends beyond Outlander’s fiction into the culture and history of the Scottish Highlands, as well as Scotland, the UK, and the Scottish diaspora more broadly, I find value in examining the intersection of history and story.
Besides the numerous, varied aspects listed above and despite our relieving historical fiction authors of the responsibility for absolute factual precision, this kind of accuracy is no less part of Gabaldon’s critical praise. As a former college professor and editor, as well as a keen and tenacious mind, the author has really done her homework. Readers note her extensive, intensive research of settings, customs, clothing, technology, medical expertise, weaponry, household goods, conveyances, animals, plants, and all other specific details she has selected.
In her first volume of The Outlandish Companion, Gabaldon describes her research precepts, what she tells audiences during lectures on the topic of historical fiction, and the process she pursues to balance authenticity with storytelling.
It is true, on the one hand, that a degree of accuracy, plausibility, and internal consistency are essential to author credibility in the telling of a story if the author is going to keep readers interested and not distracted by errors, suspicion, or confusion.
On the other hand, perhaps we should aim to focus our inquiry instead on the fictional representation of historical themes and settings as fiction—how the book series author imagines contextual history in order to serve a fictional story and how the STARZ TV production imagines its own version of Gabaldon’s use of history.
For, in truth, despite their impressive efforts to create an authentic milieu, both Gabaldon and STARZ’s crew would seem to have made some historico-factual errors toward the end of Dragonfly in Amber (DIA) and in Outlander STARZ Season 2’s penultimate episode, “The Hail Mary.” In different ways, they both diverge from what the National Trust Scotland official guidebook Culloden represents as accurate historical fact concerning the events leading immediately up to the battle. I’ll present each creative choice, compare them to fact, and then discuss implications.
Gabaldon changed the timing of the night march. STARZ changed the reason for its being aborted.
In DIA‘s Chapter 46, Gabaldon writes that the night march, historically represented to have occurred the night before the Battle of Culloden, happened two days earlier than it actually did. I would like to give this highly experienced, research-skilled author of numerous historical novels the benefit of the doubt, but I am curious to learn her reason or reasons for making this rather noticeable change in historical timing.
While STARZ/Moore got the moment of its occurrence correct, they more than implied that it was primarily lack of sufficient troops leading to the attack’s delay, rather than solely the projected timing of the army’s arrival at the Cumberland encampment in Nairn, that made Lord George Murray turn his troops around and head back to Inverness.
Fact: The night march did occur on April 15, the night before the Battle of Culloden, and those troops that did return came back exhausted, starving (more than they had been), and barely in time to form up for the noon-time battle.
Fact: There was no errant set of lost Prince Charles troops who never showed to meet up with Murray’s troops, as represented by the show (perhaps to give Jamie Fraser a larger role in the action?). By 2am on April 16, Murray’s lot, delayed instead by darkness, rough terrain and weakened bodies, were still four miles from the encampment and would lose all advantage with the sunrise.
Both of these seemingly unnecessary errors for the story or production create alterations that substantially improve neither dramatic effect nor characterization. Furthermore, pacing could have been preserved in the same way it came out if they’d left well enough alone. An aspect of history that was not in dispute has, under each author, become a thing, so to speak, needlessly increasing potential for controversy where before there was none.
It leads one to wonder whether these differences are accidents or intentional deviations, and if the latter, deviation for what purpose. But the key question is, “Whether purposeful or not, is the misrepresentation problematic, in any substantial way, to either history, story, or present society?”
The answer will, of course, depend on whom you speak with about it. For example, perhaps historians, modern-day Jacobites, Culloden-warrior descendants, fans of Bonnie Prince Charlie, today’s nationalistic Scots, and those sympathetic to people they perceive to be oppressed Highland Scots and Gaels will be none too pleased to see even fictional characters and their circumstances casting Prince Charles and his troops in an unfavorable light.
Omitted also from the show and book is the historic fact that, even before the night march, the over-eager prince formed his lines on Culloden Moor on April 15, the day before the battle actually took place, anticipating Cumberland’s forces that never arrived. Adding this fact to the fictionalized representation would legitimately portray the troops as being as thoroughly exhausted and unprepared as they really were.
Combine the two false starts of previous-day non-battle and aborted night march, and in some respects Charles Stuart appears even more foolish and the Jacobites more imperiled in the 24 hours leading up to the battle than either Gabaldon or the STARZ crew conveys.
Specifically with respect to those few days prior to the battle, however, the TV adaptation proves more historically accurate than Gabaldon’s use of history in the book, and in so doing, the show restores some of the pitiable absurdity of those desperate last moments of build-up to combat.
Motives aside and changes in detail considered, what are the effects of each creative choice?
For most readers and viewers, probably none. If you never learned (from a scholarly historical text, for instance) the detailed history of Culloden or the Jacobite Rising of 1745, you wouldn’t know what you missed, except that now I’ve told you.
Those who’ve paid a little more attention, perhaps visited Scotland, including the Culloden Visitor Centre, as well as some Scotland- or UK-based fans of the show, may notice a vague dissonance between scenes watched and history lessons recalled. Perhaps a few will “mark me” that those sequential details don’t wash.
We who notice errors, discrepancies, unintended anachronisms, or timescale flubs in film and television productions, and are bothered by them, can take solace in the fact that almost everybody does it at some point. For story’s sake, a production’s budgetary constraints, because they feel like it, or because they simply don’t know any better, mistakes happen in any endeavor involving human action. Culloden itself is, in a large number of respects, a seminal example of that truth.
Yet again, the Battle of Culloden is “merely days away,” as Claire says in ep212 to Black Jack Randall of his day of death, referring to that same fateful date of April 16, 1746. Our first Outlander-filtered experience of the battle will occur on September 10, 2017. Last April marked the 270-year anniversary of the Battle of Culloden, and the final Outlander Season 2 episodes, representing the eve of that battle, aired for the first time last summer.
Now at last come the battle itself and its aftermath through the eyes of our hero Jamie Fraser. His narrative filter replacing Claire’s usual perspective (complete with voice-overs), along with the combined writer-producer lens, greatly erodes the importance of accurately representing the events Jamie “reports.”
Fictional aims take priority. So, while past error may presage future error (or, in a time-travel story, vice versa?), the author can stand confidently at least behind the acceptable claim, if not the essential trait of fiction, that no character’s or narrator’s viewpoint is ever equivalent to the author’s.
Anyone who reads novels on a semi-regular basis also should know that the narrator is never 100% reliable and, in fact, this is even a large measure of the fun of exploring literature. I’d say the thoughts of a severely injured, exhausted, starving, and love-sick survivor of a major battle having flashbacks of said battle slot him neatly in the category of unreliable limited, first-person narrator, at least in that moment. No offense to James Alexander Malcolm Mackenzie Fraser.
Characters, if they are realistically drawn, get lots of things wrong—not only details but also the essence of their experiences—with imperfect, incomplete, biased, and sometimes wholly fabricated remembering. Memory, as I learned recently through my memoir writing class, is at best a reconstruction of partially formulated experiences that change in some way inevitably each and every time the mind revisits them. There are no pure, objective memories, and that’s just in real life.
With a first-person narrative pervading the fictional Outlander series, and given the degree of detail we are meant to imagine that fiery, intelligent, love-driven Claire recalling for the reader, such a saga, even as a work of fiction, must necessarily allow for the main character-narrator’s flawed memory. In other words, yes, sometimes in telling her story, Claire could be almost lying, even to herself, though that’s clearly not Gabaldon’s overall intention.
It’s not only just a story; it’s a tale told by a completely manufactured character, who, as some of the best writers and musicians argue, has a mind of its own. Conversely, in a way, we must suspend our disbelief to allow Claire’s memory to be far too intact for realism, thanks to Diana’s meticulous research and writing.
Where does all this leave us in our questions on the relationships between history and story in the case of Outlander? Is there a red line on misrepresentation or creative alteration? Has Outlander already crossed that line? In world building, no. In some specific events, actions, and sequences, it’s possible.
So, what is a reader or viewer to do with that? My recommendations follow.
Where the creator’s conscious intentions of a certain type of portrayal of a historical figure, event, period, or atmosphere are evident, it comes down to a simple choice. As a consumer, you either accept it or withdraw support by refusing to read or watch.
Where accident seems more prominent than purposefulness, you can criticize or chalk it up to fallible humanity. If it’s unclear and not easily learned one way or another, then be confused if you must, but reserve harsh judgment for greater, more obvious crimes. With Outlander, Gabaldon and STARZ/Moore got the vast majority of things right.
Truly accurate nonfiction representation of history would mean that the red and blue lines on the battle maps of Culloden (and of most conflicts) should in fact both appear as rainbows, multicolored pixel grids, or gradient color bars with mildly contrasting shade tendencies, rather than starkly contrasting, completely separate, solid, single-color areas. In the end, complete accuracy might be both rare and indecipherable and, thus, practically pointless.
And, besides, if you’re already an Outlander fan for any or all the aforementioned non-historical reasons, and some of the historical ones, how likely are you, really, to throw the baby out with the bathwater now?
If I am to keep reading a book or watching a show, you could say my only hard-and-fast rule for soundness beyond good narrative grammar and general readability is internal consistency. By this measure, Gabaldon definitely has a leg up on STARZ and Ron Moore, due to their series of time-scale errors bridging the second half of Season 1 through the opening of Season 2. (The one I don’t discuss in the above-linked post is the “typo” on the screen caption to ep201 when Claire, Jamie, and Murtagh land in France: it would have to be 1744, not 1745, folks.)
Producers of the STARZ adaptation chose a different seasonal starting point of autumn instead of spring of the respective years of 1945 and 1743 to start the series, which in itself might not have been problematic. However, perhaps for this reason but probably also others, the time line chips fell (apart a little) from there. But again, just check the IMDB.com entry of your favorite movie or TV show, and you’re sure to find errors in the “goofs” section of the page.
Even knowing all that I’ve learned through close examination and a little research about both the timescale issues and the pre-Culloden discrepancies, and feeling troubled by them, I don’t plan to stop watching the show or reading the books (I’m on book 5 of 8, soon to be 9). That’s just how good it all is.
As an English teacher and a student of philosophy, I’ve always believed in the power of fiction to reveal truths of human nature and to raise valuable life questions. Both book and show of the Outlander saga have proven their worth to me by excelling in this art. I’m also curious to see how closely the story follows the battle in this first Outlander representation of scenes from it. Note that Gabaldon chose not to depict the battle, probably to keep focused on Claire’s perspective and to emphasize Jamie’s individual story over the larger context, as is fitting.
The book and TV series have made us laugh, gasp, hold our breath, stare in horror or fascination or infatuation, cringe, look away, and generally become obsessed with the story and its characters. Perhaps most of all, Outlander makes us weep, and the battle depiction may indeed prove to be another major trigger for tears–and cringing.
The infamous Battle of Culloden has been talked about in the script since the first season. It is the reason for our heroic couple’s separation, and it changed the course of history.
The real, horrific general slaughter of Jacobites in battle, their defeat, and that of the rebellion precipitated the great suffering of Scottish survivors and innocent civilians alike. As part of a campaign of punishing traitors, the Duke of Cumberland allowed government soldiers to hunt down fleeing Jacobites, pillage and burn property, torture, rape, and murder in the hours and days after battle.
Later that year, rebel leaders were executed, others including Prince Charles fled the country, and mass exodus followed. New British laws brought more formal economic and cultural suppression of Highland Gaels, and even Scots who had fought for the government, through decades of humiliating, famine-stricken aftermath. Culloden was the last battle fought on British soil.
Inevitably, then, Culloden in Outlander STARZ will be the ultimate tragedy of the entire series so far, a series that has delivered multiple, regular nightmares and personal tragedies, as well as the most hair-raising encounters, rescues, reunions, and journeys.
Till next time, enjoy—and endure in solidarity—the journeys of mind, heart, and soul that these Outlandish art forms, in their peculiar cross-dialogue, give us all. They fuel our obsession and reward our curiosity with such overarching respect, dedication, talent, hard work, and passion for the Outlander story and its cultural and historical inspirations.
I hope this post has offered fans, those on the fence, and those about to jump off some meaningful perspective on the nexus of culture, history, historical fiction, and artistic adaptation. Perhaps Outlander can teach us something about the nature of truth and fact, the variable gap between efforts and results, the wonder of resilience, the supreme importance of love, or the inescapable folly of war. In art as in life, you cannot control all the outcomes, but the choice of which most valuable lessons or beautiful impressions to take with you is no one’s but yours.
And Happy Season 3, Sassenachs! We made it—we conquered the longest Droughtlander yet. Catch the show’s return September 10 on STARZ at 8pm EDT or on the STARZ app.
Wandering Educators, Dr. Jessie Voigts, 2009: Culloden: From Battle To Exile
BBC News, 2011: Apology sought for “war crimes” in Culloden’s aftermath
I wonder if the show’s success (2015-17) at all contributed to their story selections:
History Scotland, June 2016: The Battle of Culloden – new research dispels three long-held myths. This article reviews a scholarly publication addressing myths about (1) the choice of battleground, (2) types of weapons the Jacobites used, and (3) identities of the opposing sides involved. Includes video of the professor’s views on his findings. The book is Culloden. By Murray Pittock. Oxford: Oxford University Press, 2016. Works by Pittock on Stuart and Jacobite myths listed in NTS’s Culloden.
Daily Mail, Richard Gray, April 2016: Holey skull gives a glimpse at the brutality of the Battle of Culloden: 3D model of soldier’s remains shows he was shot in the top of the head in 1746 | Daily Mail Online
Daily Mail, Mark Duell, July 2016: Bonny Prince Charlie’s vanquished troops were NOT an army of Highland savages | Daily Mail Online
Daily Record, Carla Callaghan, June 2015: Outlander’s Sam Heughan on his excitement over Battle of Culloden plot and what writer Diana Gabaldon emails him
Cinemablend, Jessica Rawden, August 2016: Why You Should Be Excited About Outlander Season 3’s Battle of Culloden
IGN, Terri Schwartz, April 2016: Outlander: The History vs. Fiction of Bonnie Prince Charlie
Culloden, National Trust Scotland, 2016, official guidebook on sale at Culloden Visitor Centre. Writers/contributors: Lyndsey Bowditch, Dr. Andrew Mackillop, Dr. Tony Pollard. Edited by Hilary Horrocks. See also the “Further reading” section opposite the inside back flap of the guidebook.
The Tears of Scotland, Tobias Smollett, 1746 (referenced in the NTS guidebook).
Culloden, John Prebble, 1961. Pimlico, 2002.
The Outlandish Companion, Diana Gabaldon, 1999. Delacorte Press, Random House.
Outlander by Diana Gabaldon
Dragonfly in Amber by Diana Gabaldon
Voyager by Diana Gabaldon
Novels of the Eighteenth Century, Historicalnovels.info/Eighteenth-Century.html lists 1700s novels in English, including all of Diana’s. Sections include British and Irish, Continental Europe, North America, and mysteries in thrillers from these settings.
Scholarly Articles and Books
Joseph Knight: Scotland and the Black Atlantic. Michael Morris. International Journal of Scottish Literature, Issue Four, Spring/Summer 2008. ISSN 1751-2808. Terms used to find this source: “books battle of culloden fiction nonfiction history depictions descriptions explanation”
The “Outlander” Experience: Time-Travel, Literary Tourism and North American Perceptions of the Scottish Highlands, Dr Amy Clarke, (N.d.), University of the Sunshine Coast, Australia. Retrieved on Academia.edu. Good bibliography with some selections below.
Bueltmann, T., Hinson, A. and Morton, G. (2013). The Scottish diaspora. Edinburgh: Edinburgh UP.
Currie, H. (1997). Diana Gabaldon breaks the rules: best-selling author knew nothing about Scotland before writing Outlander series. Kitchener-Waterloo Record, 31 January.
Devine, T. M. (2004). Scotland’s empire, 1600-1815. London: Penguin.
Finlay, R. J. (1994). Controlling the past: Scottish historiography and Scottish identity in the 19th and 20th centuries. Scottish Affairs 9, 124-140.
Gold, J. R. and Gold, M. M. (1995). Imagining Scotland: tradition, representation and promotion in Scottish tourism since 1750. Aldershot: Scolar.
McCrone, D. (1992). Understanding Scotland: the sociology of a stateless nation. London: Routledge.
Painting: An incident in the rebellion of 1745, by David Morier
Culloden Avenged, 1923
Epic battle to star in Bonnie Prince Charlie film – The Scotsman (The Great Getaway, 2016)
Historical Movies in Chronological Order. Patrick L. Cooney PhD, Rise Education Resource Center.
Episode 212, “The Hail Mary,” Outlander STARZ TV series
Aggregate of Season 1 and 2 episodes
As anticipation of Season 3 of Outlander STARZ intensifies, allow me to quote myself from my last reblog of eps 201 and 202 review, published last month to coincide with the start of Season 2’s re-runs this summer:
The ensemble acting, Murtagh’s continued character development and greater centrality than in the books, the Battle of Prestonpans, the use of WWII flashbacks for Claire in “Je Suis Prest” (a great episode), and Rosie Day’s delightfully funny portrayal of Mary Hawkins are just a few of the many treasures to uncover. Then there’s Caitriona Balfe’s performance in ep207 . . . nothing short of phenomenal.
Keep watching Outlander, season 2, Fridays, 9pm EST, on STARZ. But I definitely recommend reading the books, too. 😉
In recent episodes, we’ve met “La Dame Blanche” and a resurrected ghost while “gang a-gley” the “Best-Laid Schemes” of our heroes. It’s time for the second half of Season 2 and some of the best episodes of the season: ep207 “Faith,” ep209 “Je Suis Prest,” ep210 “Prestonpans,” ep211 “Vengeance Is Mine,” ep212 “The Hail Mary,” and the season finale, ep213 “Dragonfly in Amber,” named for the second book on which Season 2 is based.
In ep208 “The Fox’s Lair,” Clive Russell brought excellence as Simon Fraser (“the Old Fox”), Lord Lovat, and Gary Lewis his usual nuance in reprising Colum Mackenzie. However, pacing, structure, and the Laoghaire element dragged it down just enough to remove the episode from top-tier classification.
But there is plenty more to look forward to in the second half. Simon Callow’s return as the Duke of Sandringham and Lawrence Dobiesz’s performance as Alex Randall prove to be true highlights. Then, there are the intrigues of the war effort led by Bonnie Prince Charlie as Jamie tries to influence its course, some gruesome surgeries Claire must perform, a generally more resolute and strong leader in Jamie Fraser, the introduction of a young Lord John Gray (important to season 3), and several dramatic deaths that shake our main characters to their cores. A little “Faith” truly changes everything.
The season culminates in a 90-minute finale that introduces adult versions of Roger Mackenzie and Brianna Randall while interlacing 1968 scenes with those from 1746, on the morning of the Battle of Culloden.
In case you missed the announcement (what planet are you on, anyway?), Season 3 of Outlander, based on Voyager, Diana Gabaldon’s third and longest book in the series, premieres Sunday, September 10, 2017, on STARZ.
What better way, besides reading the books, to prepare for the return of the show this fall than to re-watch Season 2’s remaining episodes? See them all again through the Outlander STARZ episodes page, if you happened not to purchase the Season 2 DVD set or save the series on your DVR (tsk tsk).
Happy August, Sassenachs. The Droughtlander ends next month!
I thought I could fit it all in one final post, but that proved to be a mighty miscalculation. I had far too much to say about the Outlander tour alone–big surprise!–and I still plan to provide an overall series wrap-up. In fact, this post is so substantial, with pictures and tons of Outlander-related resources, I thought it best to include a table of contents. Get ready for everything (else) you need to know to create the best Outlander adventure for you and yours!
The final post is forthcoming. If you missed any of the first 4 parts of the series An Outlander Tourist in Scotland, you can find them in my blog’s Scotland and Outlander sections, linked through Scotland Ventured, Scotland Gained, or in direct links to Part 1, Part 2, Part 3, and Part 4. The first 3 parts showcase 37 filming & book locations with several photos. Part 4 details my trip planning process with snapshots of our planned vs. actual itineraries and reflections on the quality of our Scotland vacation experience. This post, a.k.a. part 5, includes a succinct list of 40 Outlander filming sites. Read on for more!
Table of Contents
All images © C. L. Tangenberg
I started my tour search by perusing Diana Gabaldon’s recommended Outlander tour companies, discussed on her website. I sought a company that offered tours of more than half a day but less than 3 days so we could balance official Outlander tourism with exploring Scotland more generally. My first choice was Inverness Tours, but by the time the dates of our trip became settled, there were no tours of the right length available among those led by their four tour guides who work year round. Inverness Tours has long been a popular tour company with Outlander fans.
Moving on to Slainte Scotland, I contacted the company through both email and their website’s chat feature to get details about their 1-day Outlander tour. After a few messages back and forth, and a chat with a very helpful representative, I learned the likelihood of visiting West Kirk (the Black Kirk) in Culross and the all-important Midhope Castle (Lallybroch), and I carefully parsed the schedule of stops to ensure we’d have time to make it to our 7:30pm play showing in Edinburgh that evening.
Satisfied with all the circumstances, I decided to take the plunge and booked our tickets for the tour. Slainte Scotland made a great first impression by being prompt, informative, enthusiastic, and professional in their communications. They provided the detail needed to help make our day flow as smoothly as possible.
The day started on our own with a train ride from Edinburgh to Dalmeny Station, our meeting place for the start of the tour. Slainte Scotland day tours allow travellers from both Glasgow and Edinburgh to converge on a central location for sites in the wider area. Dalmeny is located in South Queensferry, a stone’s throw from the Firth of Forth, about 20 minutes by train northward from Edinburgh’s Waverley Station in the valley opposite the Princes Street Gardens between Old Town (south) and New Town (north).
The Slainte Scotland Outlander Day Tour we enjoyed on September 17th was a 9-hour van tour that guided us and about 8 other people in 2 vans through 5 filming locations:
Each site’s inherent charms, curiosities, and historical intrigues await your discovery.
Midhope Castle, the exteriors and grounds of which served as the site of the Fraser home of Broch Tuarach, or “north-facing tower” in Gaelic, is known affectionately by those who call it home in the series as Lallybroch. The building itself is hazardous to enter, so the entrance is locked to visitors. The interiors of Lallybroch were constructed and filmed at LBP Outlander, Ltd., the Outlander studios at Wardpark North in Cumbernauld, to the east outside Glasgow.
Visitors may be surprised to find a couple of houses in close proximity to the building, but you might enjoy reading a bit on the way to the castle about the history of the family that used to live in and now cares for the estate. When we visited, it was the last day of public access before a solid month of filming for Outlander series 3 two days later. Preparations were in evidence with the plastic tarp and orange cones covering the threshold, along with equipment set up beside the castle.
Note the electric poles and wires they have to edit out of final shots. Jamie’s ep102 flashback to BJR’s visit to the estate, where it starts on the hill as Jamie sorts the hay, and Jamie’s ep113 confrontation with Tarran McQuarrie’s lackeys of the Watch in the Lallybroch stables were filmed behind the castle and up the hill at this location.
Blackness Castle was one of my favorite attractions in all of Scotland, not just from the Outlander tour. As our tour guide Catriona explained, “Blackness” describes not the mood of the castle but the color of a specific type of land form on which the castle was built, called a “ness,” meaning a “promontory; a cape or headland” (https://glosbe.com/en/gd/ness). With the sun shining down on it, the tide out stranding a smattering of sail and fishing boats, and a view across the shore and the firth, our time at Blackness Castle was nothing but bright and cheerful.
Said to be haunted, the prisoners’ tower I left to my husband’s exploration–I didn’t want to climb all those steps. Our guide Catriona (pictured) showed us where the platform staging Jamie’s flogging by Captain Randall was set up. It was interesting to see how much uplifted rock protruded into the floor of the courtyard of this very intact, ship-shaped castle.
There was much to explore and there were hazards to avoid as we climbed in and out of the corridors and doorways, down steep steps and along the terraces framing the top level. Catriona also showed us the location where Jamie and Murtagh question the English soldier rather rudely as to the whereabouts of the “Englishwoman,” Claire.
Royal Burgh of Falkland, a National Trust Scotland site, offered a little eerie magic at the Bruce Fountain in the town center. Here in ep101, we see the back of Ghost Jamie watching night-gowned Claire through the second-floor window of Mrs. Baird’s B&B as she brushes the tangles out of her hair. Moments later, Frank walks up to him in the rain, and he disappears. I couldn’t resist a little mimicry of the scene.
The lunch at the Covenanter Hotel was simple but acceptable (I had tomato soup and a tuna sandwich), although service was a little slow. They were not particularly expecting us and seemed to accommodate us but grudgingly, based on the comments of our tour guide at the time. This delay may have contributed in part to our skipping West Kirk as the final stop in the tour.
Falkland Palace was visible across the main street from the hotel, and on the opposite end of the town square was the furniture store that served Claire’s window shopping of vases in ep101. Our guide Catriona had the opportunity to be an extra background actor in series 1 and described the freezing cold conditions of working on set that day. We walked a bit through town on our way back to where they had parked the vans after dropping us off in the center of town.
The sunshine enhanced our enjoyment as we passed a tavern where Catriona pointed out a sign outside that Àdhamh Ò Broin had told her misspells a Gaelic word, comically altering the translation from “a thousand welcomes” (ceud mile failte) to “a thousand smells” (ceud mile faile). Whether the proprietors were Scots, English, or other, it proved that even the locals lose themselves in translation sometimes.
Doune Castle first became widely known overseas from its use in the film Monty Python and the Holy Grail. Now, complimentary audio guides at the castle impart insights about filming experiences from both Terry Jones of Monty Python and Sam Heughan, who plays Outlander‘s Jamie Fraser. Castle Leoch’s great hall and some other interiors found form on constructed sets at the studios, but the raw materials at Doune provided the courtyard, steps from the castle, exterior shots of the castle, and scans of the surrounding countryside. Monty Python used the interiors heavily for Holy Grail. Another well-preserved structure, Doune Castle was an impressive element of the tour.
At the close of our Doune visit, Slainte Scotland provided samples of 15-year-old Dalwhinnie (Highland) single-malt Scotch whisky. A little fiery going down, but still smooth and a good introductory single malt, Dalwhinnie became one of two whiskies my husband and I took home with us from duty free.
An unusual aspect of our tour that day was the presence of the tour guides’ three children and their German shepherd puppy (pictured in the Falkland section above). Their arrival in Dalmeny was slightly delayed due to complications in the aftermath of unavailable daycare. The kids were well behaved and charming. One spoke Gaelic from attending a Gaelic school and also sang us a song. It was equally delightful to meet and chat with our fellow Outlander tourists from England, Kentucky, and Germany.
While our van held two of the the three kids and Catriona, the other was driven by her husband with the puppy and the other American group as passengers. While we tasted our whisky, the kids were off running, inducing the dog to whine so as to join in the fun. Overall, from our point of view, the impromptu adjustment worked out well. I’m sure it helped that we love dogs and are perfectly contented with good kids around.
Royal Burgh of Culross. At the witching hour before sunset, we arrived in old Culross, National Trust Scotland site of series filming for exteriors of Crainsmuir village. We drove past the distinctive yellow buildings of the Palace into the square of the mercat cross where the exterior of Geillis Duncan’s house and the pillory were filmed. We stayed only briefly, and driving was particularly tricky in the narrow streets of this well-preserved old village. Cars kept coming down a hill into the village square, forcing our van to back up a couple of different times before successfully making it all the way up the hill. Such is life in old towns with one-track, or one-lane, streets that go both ways.
For Outlander series 1 filming, the Culross Palace Garden doubled as the Castle Leoch herb garden, the Mercat Cross stood in for the village of Cranesmuir, and visual effects fused the Palace Garden with the backdrop of Doune Castle to bring Crainsmuir and Leoch together. The Study building (in white) was Geillis Duncan’s house, and the Culross Palace Withdrawing Room became Geillis’ drawing room. In series 2, the Palace Courtyard provided the main stair where Claire practices dentistry while Jamie meets with Bonnie Prince Charlie, while the Palace High Hall was used for the Jacobite meeting where Jamie swears his oath to the Prince. Then, the Palace’s Kings Room became Jamie and Claire’s bedroom when visiting a village, and the Palace’s Kitchen and Pantry served as the tavern bearing wanted posters, and the Bennet House outside it, in ep211, “Vengeance Is Mine.” See where Jamie & Claire stood: http://www.nts.org.uk/Outlander/Culross-Palace/.
Although I had hoped we would venture nearby to West Kirk (the Black Kirk), time constraints and fading daylight robbed us of the chance, so we worked our way southward again, back across the Firth of Forth, to Dalmeny, South Queensferry, to catch the train back to Edinburgh’s Waverley Station. On our way back to Dalmeny, Catriona played a mix of songs by Scottish artists, old and new, which added to the festive mood.
I took a final opportunity to ask Catriona about Hopetoun House, the estate of which we passed on our return path. She provided the insight that a visit there would require at least 2 hours, whereas one could take in all of Linlithgow Palace in about an hour. These details helped us make decisions about where to go in our trip’s final days.
Summary Review of Outlander Day Tour with Slainte Scotland
This exciting 9-hour tour with Slainte Scotland was led by Owner and Managing Director of Clyde Coast Tourism Ltd., proud Scot, and Outlander STARZ TV series extra–the lively, lovely, and knowledgeable pro tour guide Catriona Stevenson. Assisted by her husband and fellow driver, the small group experience allowed time and attention for individual questions and interests. Although the tour path altered slightly from the order of advertisement, in the end we had no regrets.
Mirroring positive first impressions, the Slainte Scotland experience met and exceeded all expectations. The tour ran smoothly, and they made it insightful and fun. Visiting time at each site was ample and enjoyable, and Catriona was uniquely qualified to provide glimpses of behind-the-scenes facts about the Outlander TV series, including her encounters with its stars and crew. This tour also served as our official primer on Outlander filming locations, which we further pursued on our own afterwards. *
The sun was setting as we alighted on the train platform in Dalmeny. That evening at the Royal Lyceum Theatre, Edinburgh, we attended a vibrant performance by the Dundee Rep Theatre of a 20th-century, ceilidh-style historical and political play The Cheviot, the Stag, and the Black, Black Oil, which kept us awake even after an all-day tour and with jet lag setting in from the day before. Seeing this play early in the trip provided essential perspective on the past 200 years of Scottish-English relations and politics, which we could then reflect on as we traveled the country.
* One particular Outlander visit I arranged directly with the property manager, Sarah Chambers, was to Glencorse Old Kirk, location of Claire and Jamie’s wedding in ep107. Through email and then mobile texting upon arrival on the grounds, we settled on a day and time, around 2:45pm on 21 September, for a brief look through and around the kirk.
We were staying in Arrochar at the time and had just visited the incomparable Stirling Castle that morning. Sarah asked in advance for a donation of 20 pounds, which we gladly provided, and she showed us a scrapbook of filming pictures not seen online. She also pointed out how the grounds and interior were used in the making of ep107, sharing her personal observations of the occasion.
Many visitors and some journalists have mistaken the Glencorse House for the Glencorse Parish Church as the building used for the wedding. The actual site is downhill and behind a gate from the house. It’s a little hidden and difficult to find, even with assistance, and it requires permission to access. But if you’re all about the wedding, Glencorse a great little addition to an itinerary. Incidentally, they also regularly host weddings at the church and receptions at the house. See the Glencorse House facebook page for a flavor of their work.
These were Sarah’s directions, which we had to alter slightly coming from Stirling Castle instead of from Edinburgh:
Directions from Edinburgh: Take A701 toward Penicuik. After you pass the Ikea, continue past the Nissan garage at the traffic lights. Then, there are 2 roundabouts till Gowkleymoss roundabout (very large). Continue on the small dual carriageway w/ Glencorse Golf Club on left, then very shortly Fisher’s Tryst pub on the left. Directly opposite the pub, take the road to the right signposted Glencorse Kirk. The large church on the brow of the hill is NOT us. Continue round the corner, to the bottom of the hill: you’ve arrived! Total of about 2 miles from Ikea.
The property is owned by the McCaig family, and our contact was Sarah Chambers (McCaig), daughter of the owners. Glencorse Old Parish Church, or Glencorse Old Kirk, is located in the foothills of the Pentland Hills south of Edinburgh and north of Penicuik, Midlothian. The address is the town of Milton Bridge, EH26 0NZ. Tel: 01968 676 406. Email: email@example.com. Glencorse House: http://www.glencorsehouse.co.uk/.
After our visit at Glencorse, we enjoyed exploring the iconic Rosslyn Chapel in nearby Roslin, site of key scenes in the filming of The Da Vinci Code.
Previous posts have touched on our experiences of Linlithgow Palace (Wentworth Prison) and other Outlander-related sites not included in our guided tour. See the previous parts in the series An Outlander Tourist in Scotland, organized by region, for comments and pictures about the following book and filming locations we sampled:
I also provide insights with photo captions at Scottish Color: A Photo Essay.
Slainte Scotland offers several different kinds of their most popular day tours including the Loch Lomond and Trossachs Day Tour, Whisky Distillery Tour, Glencoe Day Tour, Loch Ness Day Tour, South of Edinburgh Tour, and a selection of Outlander Day Tours. However, they are open to interests in other destinations, and some tours can be personalized. Their website’s site map also has sections for Whisky Tours, a Luxury Tour, a Private Tour, Cruise Ship Shore Excursions, and a tour search page.
On TripAdvisor, the management company for Slainte Scotland, called Clyde Coast Tourism Ltd., features over 100 reviews with an average rating of 4.5 out of 5 stars, and has earned TripAdvisor’s Certificate of Excellence, awarded to attractions that consistently receive great reviews from travelers.
Outlander Day Tours at http://slaintescotland.com/outlander-tours-of-scotland.html describes the packages for the Outlander Day Trip, Outlander 3 Day Tour, Outlander 7 Day Tour, and Outlander 5 Day Tour.
In addition, a new offering from Slainte Scotland this year is a special Outlander tour featuring actor Scott Kyle (Outlander‘s Ross) and supporting Highlander actors from the show, as well as Outlander‘s Gaelic Consultant Àdhamh Ò Broin, Fraser Murdoch who works on Outlander‘s visual effects, and Gillebride MacMillan who plays Gwyllyn the Bard in series 1. The tour will launch from the 2017 Starfury Convention in Blackpool, England, at which Sam Heughan will appear on Saturday and Sunday. The subsequent Outlander Tour with Special Guests is scheduled for 28th August to 1st September.
Outlander-Based Tours of Scotland – DianaGabaldon.com – Herself explains the purpose of her list, provides disclaimers, and describes how the selected companies made the list.
Slainte Scotland (Catriona Stevenson and co.)
Slainte Scotland – Outlander Tours | VisitScotland – Are you a fan of Diana Gabaldon’s Outlander books and the subsequent hit Starz TV show of the same name? Do you want to enjoy the landscape that inspired the books? Join us on our Outlander Tour, visiting some of the main filming locations.
Outlander Day Tours from Edinburgh and Glasgow – Scottish Tours and Private Hire – Slainte Scotland Tours – Outlander Day Tours from Edinburgh and Glasgow. Includes Castle Leoch and Fort William.
Outlander Tours, Outlander filming location Tour, Outlander Tour Scotland – Scottish Tours and Private Hire – Slainte Scotland Tours – Outlander Tours of Scotland. Be your own Claire Randall searching for your very own Jamie Fraser.
Inverness Tours (Hugh Allison and co.)
Outlander – Inverness Tours – All Day Diana Gabaldon Outlander Special Tour (This was the tour my friend took and greatly enjoyed in July 2016. Stops include Clava Cairns, Culloden, Inverness, as well as Beauly Priory, Castle Leod, Rogie Falls, and Loch Garve.)
Clans & Castles (clansandcastles.com/gabaldon.htm) – Clans & Castles – self-guided itinerary for fans of Diana Gabaldon ‘s novels – Clans & Castles itinerary for fans of Diana Gabaldon’s novels. Will you walk through the split stone?
Borders Journeys (bordersjourneys.co.uk) – Outlander – Preston Mill – Outlander Film Set – Borders Journeys – Tailor made private guided sightseeing and ancestral tours of Scotland. Specialising in Dumfries & Galloway and Scottish Borders.
Borders Journeys has also taken tourists to Glencorse Old Kirk, among other southern and central filming locations.
Outlandish Journeys (outlandishjourneys.com) – Outlander – Tour Options – Outlandish Journeys – Tour Options available with Outlandish Journeys
Outlander – TV Series Tour – Outlander Tour (outlandertour.co.uk) – Outlander TV Series Scottish locations tour from Edinburgh
Discovering Outlander – National Trust Scotland
I checked out at least four other companies online last summer, but there are probably dozens. One of those four was Vacation Scotland, included in Diana’s list. Her description was compelling, but I was put off by their outdated website presentation and place name misspellings. Further perusing signaled to me a company I wouldn’t personally pursue. Although I didn’t include them here, you may find expertise and other facets that make up for the shaky first impression. Another company steered me away by their emphasis on Ireland tours.
I recommend finding a company that has specialized in Outlander tours for several years prior to the show’s premier and those that have a genuine special interest in the series, a unique approach, or a special focus. They’re more likely to deliver a bit of the magic viewers and readers receive from the series. For instance, it was very interesting to me to hear about Catriona’s acting and running into the cast on more than one occasion. She also knows Àdhamh Ò Broin, official Gaelic language consultant for the show, with whom we explored Argyll on 20 September, three days after our Outlander tour.
For other tour possibilities, go to Outlander Tour Search Results – VisitScotland.
Outlander – Filming Locations in Scotland | VisitScotland – includes a link to their pdf (below) with labeled map and site snippets, a section on Outlander book sites including Inverness, highlights of Outlander-related culture and history, and links to other TV, film, and literary tourism opportunities.
Outlander film locations – outlander-film-locations.pdf – a great guide available through the above page at VisitScotland; a full-color map of numbered sites mainly in Scotland’s central belt, each number corresponding to a succinct but helpful blurb about a location accompanied by an identifying picture of the actual site. A total of 29 listed as of this post–vastly updated since summer 2016! Also accessible through Outlander map | VisitScotland
Outlander – 14 Scottish Places All “Outlander” Fans Must Visit (Buzzfeed.com, 2015) – Never seen Outlander? You should visit these stunning Scottish locations anyway. Warning: Mild Season 1 spoilers ahead… (Episode shots alongside tourism photos of each site.)
Outlander’s Cast and Crew’s Favorite Filming Locations | Travel + Leisure (interview, 2016) – The masterminds behind the Starz hit spoke to T+L the best places they went on the job.
Where is Outlander filmed? Top 5 Scottish locations in season 2 (radiotimes.com, 2015) Gary Rose goes for a spin in the Highlands, taking in the Culloden battlefield, the town that doubles as Cranesmuir and a working medieval village
Hopetoun locations map
Outlander at Midhope (Lallybroch) – Hopetoun (hopetoun.co.uk – Hopetoun House and estate includes Hopetoun Farm Shop and Midhope Castle among its properties.)
Midhope Castle, Abercorn – Queensferry – West Lothian – Scotland | British Listed Buildings
You searched for Midhope – Hopetoun
Outlander at Hopetoun – Hopetoun
House and Grounds – Hopetoun
Grounds and Wildlife – Hopetoun
Hopetoun Farm Shop – Butchery, Deli, Bakery near Edinburgh
Glencorse House: http://www.glencorsehouse.co.uk/.
Glencorse, Old Glencorse Kirk – Penicuik – Midlothian – Scotland | British Listed Buildings
Glencorse Old Kirk – Outlander Film Set – Borders Journeys – Tailor made private guided sightseeing and ancestral tours of Scotland. Specialising in Dumfries & Galloway and Scottish Borders
Glencorse, Old Parish Church | ScotlandsPlaces
City Tours Edinburgh | VisitScotland
Royal Mile and Grassmarket | VisitScotland
Palace of Holyroodhouse (Edinburgh)
Edinburgh and Stirling castles ranked in UK’s top 10 best-loved castles – Scotland Now
Discover Edinburgh Castle
Parks and gardens – Meadows | The City of Edinburgh Council
Preston Mill & Phantassie Doocot (NTS)
Discovering Outlander – Preston Mill brief profile, National Trust Scotland (NTS)
Outlander – Preston Mill’s Outlander | National Trust for Scotland USA (ntsusa.org detailed article about the scene) – In June 2014, 150 cast and crew members from the hit TV show Outlander set up camp at the NTS Property Preston Mill and Phantassie Doocot.
Falkland Palace & Garden – National Trust Scotland (NTS)
Doune Castle (HES)
Perth & Kinross Countryside Trust | Pages | Perthshire Big Tree Country
Walkhighlands: Start of Loch Rannoch Forest walk
Kinloch Rannoch, Tummel Bridge, Loch Rannoch, walking holidays, wildlife watching, fishing, highland clans
Places to Visit from the Dunalastair Estate Holiday Cottages – Central for touring
Dunalastair Highland Estate near Pitlochry in Scotland has holiday cottages for relaxing vacations
Walking, Cycling, Horse-riding around Perthshire
Outlander – Cairngorms – Tulloch Ghru (as Featured in Outlander TV Series) | Stately Home (lovetoescape.com) – Tulloch Ghru (as Featured in Outlander Tv Series) is a Thing to Do in Aviemore, The Highlands, Scotland. Stately Home, Loch, Lake, Waterfall, Nature Reserve, Park, Garden or Woodland . . .
Tulloch-Ghru_old-map-area_from-Wizzley.jpg – sleuthing and description of the area, distinguishing it from a similarly named one nearby
Rothiemurchus Forest landscape profile/description. This area of the Cairngorms National Park is located in its western region on an east-west line between Fort Augustus (at the southern tip of Loch Ness) and Aberdeen (on the North Sea coast).
Detailed map of Rothiemurchus Forest; includes “Tullochgrue” (Upper and Lower), which is located west of Allt Druidhe (waterway) and the forest center, just north of Achnagoichan (close to it), south of Inverdruie (farther from it), and southeast of Aviemore (farthest of these)
Aviemore: Overview of Aviemore (Gazetteer Scotland)
Bed and breakfast Kingussie near Aviemore
Lochaber, Fort William
Inverness & Inverness-shire
Visit Inverness Loch Ness Tourist Destination Guide
Inverness Information Centre | VisitScotland
Inverness Travel Guide | Travel + Leisure
Inverness – Holidays, Breaks & Travel | VisitScotland
Art Galleries – Inverness Museum and Art Gallery
Events in September in Inverness, Loch Ness & Nairn | Things to do | Page 1 | Welcome to Scotland
Standing Stones, Stone Circles, Stone Features, and Cairns
Prehistoric Sites in Scotland Examples:
Fowlis Wester Sculptured Stone, Perthshire (Perth and Kinross) – In village church at Fowlis Wester, 6 miles (10km) NE of Crieff, On the A85. Historic Scotland property; tall cross-slab carved with Pictish symbols, figure sculpture and Celtic details.
Cairnpapple Hill, Edinburgh and the Lothians – 3 miles (5km) N of Bathgate, Lothian. Near Torphichen (B792), Narrow, winding road. Tel. 01506 634 622. Open: April-end Sep, 9.30am-5.30pm, daily. Historic Scotland property; one of the most important prehistoric monuments in Scotland; used as burial and ceremonial site BC3000 – AD500; central part of monument under cement dome with ladder leading down to interior; views from the hill. Cairnpapple Hill – Wikipedia, the free encyclopedia
Nether Largie Cairns, Argyll and Bute – Between Nether Largie and Kilmartin, Argyll, Off the A816. Historic Scotland property; 2 Bronze Age cairns, 1 Neolithic cairn (3000BC); axe carvings in N cairn.
Temple Wood Stone Circles, Argyll and Bute – .25 miles SW of Nether Largie, South of Kilmartin, Argyll on A816. Open site. Historic Scotland property; circle of upright stones and remains of earlier circle; date approximately 3000BC.
Machrie Moor Stone Circles, Ayrshire and Isle of Arran – 3 miles N of Blackwaterfoot, On W side of Arran, off the A841, 1.5 mile walk to the site. Historic Scotland property; remains of 5 Bronze Age stone circles considered one of most important sites of its kind in all of Britain.
Twelve Apostles Neolithic Stone Circle, Dumfries and Galloway – Off the A76, N of Dumfries and New Bridge, Situated in a field. Of the 11 remaining stones only 5 are standing, the tallest of which is about 3.2 feet high.
Clava Cairns (HES)
The Clava Cairns (also known as Balnuaran of Clava) lie 6 miles E of Inverness. These Bronze Age chambered cairns are each surrounded by a stone circle in a wooded field. A most unusual place. Robert Pollock has a guide to this site. Photos online by Phil Wright and Undiscovered Scotland.
Corrimony chambered cairn is situated in Glen Urquhart (8 miles W of Drumnadrochit) and surrounded by a circle of 11 standing stones. Robert Pollock has a guide to this site. (undiscoveredscotland.co.uk)
Standing stones and ancient monuments – The Internet Guide to Scotland (scotland-inverness.co.uk)
The Old Man of Storr is a strangely shaped rock pillar you can see from as far as Portree and beyond; Portree, Trotternish area, Isle of Skye. (https://www.isleofskye.com/skye-guide/top-ten-skye-walks/old-man-of-storr)
Fairy Hills, Fairies, Witches & Legends
Fairy Hills, Biodiversity & Heritage
Fairies – TOMNAHURICH CEMETERY (Historic Environment Scotland profile)
Inverness Image Library – Tomnahurich (Hill of the Fairies)
The Witch of Inverness and the Fairies of Tomnahurich – Google Books
Fairies – The Faery Folklorist: Robert Kirk – Part 2 – Aberfoyle Church
The Kelpie of Loch Garve | Mysterious Britain & Ireland
Black Isle – RSPB Fairy Glen – Google Maps
Skye – The Fairy Pools, Glen Brittle, Isle of Skye – Google Maps
Brochs, Caves & Other Rock Formations
Brochs in Scotland | Unusual Accommodation | VisitScotland
Caves and karst in Scotland – Scottish Natural Heritage
Cliffs, Canyons & Rock Formations of Scotland, United Kingdom
10 unusual rock formations | Travel | The Guardian
There is also Fingal’s Cave on the Isle of Staffa, Bowfiddle Rock on the Moray Firth, and the famous Ring of Brodgar on Orkney, among others.
Waterfalls, Rivers, Caves & Natural Features to Explore in Garve | Things to do | Page 1 | Welcome to Scotland
Loch Garve | Fishing | Caithness, Sutherland & Ross-shire | Welcome to Scotland
12 fairy tale waterfalls in Scotland to see before you die – Daily Record
–> For a guide to nature and wildlife tourism in Scotland, see the end section of my post “Wildlife TV Programs This Week,” which also previewed the Destination Wild show Wild Scotland that aired on NatGeoWild on 2 April 2017.
Map: The 18th century territories of Scotland’s clans – The Scotsman
Map of the Highlands of Scotland denoting the districts or counties inhabited by the Highland Clans. – Maps of Scotland
The Clan Museum – Google Maps
Strathpeffer Visitor Guide, Hotels, Cottages, Things to Do in Scotland
Castle Leod | the Seat of Clan Mackenzie
Castle Leod (Strathpeffer, Scotland): Top Tips Before You Go – TripAdvisor
Castle Fraser | VisitScotland – Aberdeenshire (just north of Royal Deeside)
Lovat Castle (site of) | Castle in Kirkhill, Inverness-shire | Scottish castles | Stravaiging around Scotland
Inverness/Nairn (searching for Claire in Ep108, “Both Sides Now”)
Highland (searching for Jamie in Ep114, “The Search”)
Glasgow’s Royal Conservatoire
Royal Conservatoire of Scotland: Overview of Royal Conservatoire of Scotland
Royal Conservatoire of Scotland: Photographs of Royal Conservatoire of Scotland
: Glasgow City Map / http://www.scottish-places.info/councils/morecpix16.html
Cumbernauld lands role in production of US TV series (From Herald Scotland) (2013)
Outlander brings Diana Gabaldon fans flocking to Scotland | UK news | The Guardian (2014)
Town movie studio is a star attraction – Cumbernauld News (2014)
Outlander article – Scots tourism feels ‘Outlander effect’ of hit TV show – The Scotsman (2015)
A brief history of Outlander and the Scottish Clans – Scotland Now (2016)
Outlander looking for trainees to work on Season 3 of hit show in Scotland – Scotland Now (2016)
Filming underway for Outlander season three Voyager – Daily Record (2016)
Outlander helps Scotland outshine rest of the UK when it comes to visitor attractions – Daily Record (2017)
In the true final post of this series, the official Part 6 to An Outlander Tourist in Scotland, I present Scotland tourism tips and logistical resources, plus share some final thoughts on Outlander tourism in Scotland. Thanks for learning along with me. Slan leat!
In Part 2, we explored the western central and southern sites of Outlander TV series filming, focusing on the Glasgow area and Ayrshire. This time, we head north into the Highlands, starting with Perthshire, also a central region. In an upcoming post, I’ll present our particular trip itinerary for your consideration and discuss existing Outlander-dedicated tours you can book and enjoy in your Scotland travels. To start our journey from the beginning, see An Outlander Tourist in Scotland, Part 1.
As for the Outlander sites, this post will take us full circle so to speak from one version of the story’s central plot mechanism—the fictional standing stone circle of Craigh na Dun—to another, with several essential stops in between. We start north of the main cities Glasgow and Edinburgh and take a gradual north-westerly path from there. The climb begins with a tantalizing mystery of the TV show and ends with a point of resonance for Diana Gabaldon’s creation of the books. You may also learn some history along the way.
Dividing a Nation
One thing I noticed in my tourism research was how inconsistently the areas of Scotland are named from one resource to another and over time. To distinguish areas of north central and northern Scotland for this post, and find current, accurate names for them, I finally found a resource that clarifies how Scottish lands are sliced and how they overlap: UndiscoveredScotland.co.uk.
Fully orient yourself to where’s where on their Councils, Regions, and Counties page, which links to breakdowns of those three different types of division. Or, for the simplified tourism approach, see the official Scottish Tourist Board website mentioned previously, VisitScotland.com. Find out more about how the tourism industry, as well as British and Scottish governments, have labeled things; see the first footnote under the heading “Notes on Area Names.” *
In short, it can be confusing, but with quick look-ups, ready resources, and having precise addresses, you’ll find your tailored trip less daunting to plan. If you’re going far less DIY, it shouldn’t matter. I can nearly guarantee you’ll be well taken care of, at least in country. Choice of travel agent or airline in your home country–and now, perhaps, getting home again–is another matter.
From Here on Up
The Highlands, broadly considered, are sort of a mythical, amorphous landscape in some respects, for a few reasons. For a discussion of this issue, see my second footnote section under “Notes on Area Names.” **
Whatever names the land acquires, one of its most distinguishing features are its diverse, ubiquitous configurations of rock and stone, both geologic—hills, caves, coast lines, mountains, tors, volcanic plugs—and man made—standing stones, stone circles, cairns, brochs, crofts, stone fences, houses, streets, castles, and so on. Stone, loch, and green together mean “Scotland.”
“My heart is in the Highlands, wherever I go” – Robert Burns
Perthshire, Perth & Kinross council area → Outlander film setting
From roughly east to west toward the Great Glen, the areas of general attraction in the glen of Rannoch include Schiehallion, Dunalastair Estate, Kinloch Rannoch village, Loch Rannoch, and Rannoch Moor.
Rannoch. → On a line east of Glencoe and Fort William in the Central Highlands, somewhere on the Dunalastair Estate, they “can’t tell you where,” the Outlander TV production erected their set of Diana Gabaldon’s fictional circle of standing stones called Craigh na Dun. Shown in eps 101, 103, 108, 111, 201, and 213, this set of Claire’s time-travel scenes includes its backdrop—the very real Loch Rannoch and surrounding mountains, including Schiehallion to the southeast.
Lying on a National Scenic Area between the Cairngorms National Park to the north and Loch Lomond and Trossachs National Park to the south, Dunalastair Estate sits on 17,000 acres. The village, loch, hills, and moor are accessible to the general public, as are the holiday cottages for booking on estate land. Caitriona Balfe (Claire Randall Fraser) once called this filming location her favorite and noted the magic that seemed to meet the crew each time, and she’s not the only one. Source: Travel+Leisure magazine’s article “The Cast and Crew of ‘Outlander’ Reveal Their Favorite Filming Locations.”
The Dunalastair Estate website features comprehensive details for tourists. It covers area clan history, the estate family, farm, village, wildlife, rare plants, hiking, horse riding, railway, and other recreational options, plus links to websites like that of the Rannoch and Tummel Tourism Association. Source: http://www.dunalastair.com/Dunalastair-Estate
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Argyll (county), Highland council area → Outlander film settings
Glen Coe. This mountain range is in long shots of Scotland. It was all about showcasing Scotland itself. If you’ve seen representative landscape views of Scotland in any form, chances are you’ve seen Glen Coe. One such view has been my blog’s header image in early 2017. The glen is the result of glaciers cutting into extinct volcanoes, creating a broad, sweeping valley of pleasing symmetry from key vantage points.
Glencoe is the name of the village in Lochaber to the west of the picturesque glen, and the two are connected by the umbilicus of the River Coe. Coming from the south, follow the A82 westward from Loch Lomond toward Glencoe Village, Loch Leven, and the Great Glen. There are dedicated viewpoints along the way where you can park and take it all in.
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Cairngorms National Park, Highland → Outlander film settings
“Cairngorms” rather loosely translated means “pile of blue rocks,” or “blue stone heap.” The Gaelic for this mountain range sounds much better, and Gaelic is often helpfully descriptive. There is also a single mountain called Cairngorm. Covering a vast area of natural beauty, rare wildlife (wildcats, capercaillies, and mountain hares in winter, red squirrels, red deer, and others), scenic vistas, castle ruins, pine forests, lochs, burns, and waterfalls, nature-loving visitors can spend substantial time in the Cairngorms National Park year round and not be disappointed.
If you were traveling from Rannoch, you would enter the park from the south, taking the A9 which starts in Stirling and flows through Inverness all the way to the far northwest Highland ferry port of Scrabster. The River Spey chases the A9 along the western boundary of the Cairngorms, and soon both find the small town of Newtonmore, just north of which is the Highland Folk Museum.
Highland Folk Museum, Newtonmore, Cairngorms National Park, Highland. Almost due north of the village of Kinloch Rannoch, this historical outdoor museum recreates 18th-century Highland life every day and aids in Outlander storytelling in a few ways → in ep101 for the shelter where Murtagh first takes Claire to meet the other Highlanders, the scenes of village folk around the Castle Leoch area in season 1, and during ep105 for rent collections and wool waulking when the ladies sing “Mo Nighean Donn.”
From their website under the auspices of stewards Highlife Highland, “The Highland Folk Museum sits at the east edge of the village of Newtonmore less than two miles from the town of Kingussie. It lies just off the A9 at the west side of the Cairngorms National Park.”
As a preserved 18th-century village, the attraction has a total of 30 time-period furnished buildings, including a 1700s township of six buildings and a section featured as a working 1930s croft. The whole property, fully active up until the 1960s, spans one mile in length and also contains the Shelter, “Am Fasgadh,” housing 10,000 artifacts, plus a research library, conservation lab, offices, meeting rooms, and more.
The address is Aultlarie Croft, Kingussie Road, Newtonmore, Inverness-shire, PH20 1AY. Currently in winter closure, the site will reopen in April 2017. Visit the official website for more pictures and information.
Tulloch Ghru, Rothiemurchus Forest, near Aviemore and Inverdruie, Cairngorms National Park, Highland, is an area of hilly woodlands spreading north of, but not far from, the Highland Folk Museum. → Featured in the opening credits of each episode and in scenes where Claire and the Highlanders travel from Craigh na Dun to Castle Leoch in ep101, “Sassenach,” it is peppered like Rannoch with ancient Caledonian pines along a western stretch of Cairngorms National Park.
Tulloch Ghru may also serve in parts of ep108, “Both Sides Now,” such as the woods where Claire and Willie wait while Jamie and the others meet Horrocks. (Not sure about this; I cannot find my original source for that idea.) But you won’t find it mentioned on standard tourist websites.
The Outlander filming sweet spot is somewhere between Aviemore and Inverdruie, southeast of both and not far south of the Cairngorms Reindeer Centre. To start the hunt, follow the sleuthing, with information distinguishing place names in the area (Tulloch to the north vs. “Tullochghru” to the south), diligently pursued and shared at Wizzley.com. An old map of the area appears on that site.
Anyway, such pine forests in Scotland, though few compared to their ubiquity in times past, provide similar atmosphere as each other, and wee Tulloch Ghru may not stand out visually to the Outlander tourist. Generally, woodland film locations are notoriously difficult for the mere mortal to pinpoint once the crew cleans up, though some visitors may prevail. Interested in plant succession and vegetation change in the park since the last Ice Age? Knock yourself out at Cairngorms Learning Zone.
Note: Cocknammon Rock, also featured in this portion of ep101, is a fictional rock formation invented by Diana Gabaldon and created by the show with special effects.
The Cairngorms National Park itself boasts several helpful tourist resources at visitcairngorms.com (supported by VisitScotland.com, the official tourist board of Scotland) and cairngorms.co.uk, among other sites. For an outline map of the Rothiemurchus Forest of the filming site, go to the latter website’s Landscape Areas page and select “Rothiemurchus Forest.” Rothiemurchus is also a woodland estate with an island castle. For a beautiful map of the whole park, see the Cairngorms National Park Map.
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Ross and Cromarty → Outlander book and historical settings
To start farther north and work your way southward back to Inverness for the train to Edinburgh or Glasgow and a flight back home, head for Ross & Cromarty. There you’ll encounter the real Mackenzie lands and their seat of power, Castle Leod.
Castle Leod, near Strathpeffer–Easter Ross or “in the east of Ross-shire” (county of Ross) or in the regional district of Ross & Cromarty, i.e., something to do with “Ross”–seat of Clan Mackenzie. → Inspiration for Castle Leoch in the book. The name from the book was then continued by the show. However, shared in Part 1 of my Outlander tourism series, the historical castle itself is played by Doune Castle in Stirling. Castle Leod is a private estate accessed only by prior permission. However, it has been a stop on at least one Outlander tour out of Inverness.
For pictures and official information, see the gallery page at Castleleod.org.uk. This well-preserved Highland castle, billed as one of the most picturesque and romantic by its stewards, can be booked for special events including weddings. The Clan Mackenzie Society of Scotland and the UK was very helpful with information about access and tours involving Castle Leod. The associated Clan Mackenzie Routes also offers tour package options.
Castle Leod will have select open summer days in 2017 in May, June, July, and August, and the grounds also open to the public on August 12th for the Strathpeffer Highland Games, held annually.
In a valley alongside the Peffery Burn, the castle property is NNE of Strathpeffer off the A834, and the closest town immediately northeast is Auchterneed. Bottacks is also nearby. The address of Castle Leod is Strathpeffer IV14 9AA, UK.
Loch Garve, west of Castle Leod, Strathpeffer, Easter Ross → The loch mentioned as the home of the water kelpie (water horse; no, not the same species as Nessie) in the fireside tale Rupert tells before the rent party is attacked by members of Clan Grant in ep 108, “Both Sides Now.”
My online search for “Loch Garve” one day brought up the legend of the water kelpie; the story is indeed a long-held Scottish fixture.
Between Loch Garve and Castle Leod are the Falls of Rogie, a series of sought-after waterfalls on the Black Water River, where salmon can be seen jumping the “ladder” and where you can walk across the river on a suspended bridge. Also within this area is the Strathpeffer Heritage Village and Victorian spa resort.
Down from the Northwest, we reach the Great Glen and Scotland’s most famous loch.
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Inverness-shire → Outlander book, film, historical, and inspirational settings
Inverness is an interesting case for its lack of interest, perhaps. At least that’s what my friend who recommended I read Outlander said about their Outlander tour with Inverness Tours. I’m not sure if it was the pedestrian passerby on the highway shouting up to their double-decker tour bus “Inverness is sh*te!” that influenced her thoughts on this, but she basically told me there isn’t much besides the river views worth seeing in Inverness itself.
To say Inverness has little tourist value is not strictly true, but as a fellow Outlander fan with other priorities, I decided to follow my friend’s lead on this one. As a result, my personal experience of Inverness is limited to navigating traffic, scenes of the River Ness (mainly in pouring rain) and Moray Firth, parking beneath the Inverness Castle hilltop, and eating at two fine city restaurants.
Known as the capital of the Highlands, there are indeed attractions worth visiting in the city. I’ll tell you about a less beaten path we took for ourselves, along with other charms Inverness afforded us, when I share our full itinerary in a future post. Incidentally, my first pick of an Outlander tour was through Inverness Tours, but they were booked for our time frame when I finally made my decision, so plan many, many months ahead! We took instead Slainte Scotland‘s Firth of Forth and Fife area Outlander day tour, which was wonderful.
When you focus on the book and TV show, it is equally true that nothing in particular makes Inverness an Outlander tourism city. Rather, its proximity to sites of story interest is what really recommends it. You may decide it’s a nice central location for lodging. Below are some of those story-related sites around Inverness that complement those in Ross & Cromarty.
Loch Ness (and Urquhart Castle), south of Inverness, connected by the River Ness, extends on a roughly north-south line for more than 20 miles. Featured in the book but not in the STARZ series, Gabaldon uses Loch Ness to bolster the mysterious, supernatural element of encountering a mythic beast, presumably either “Nessie” or one of her ancestors, collectively known as the Loch Ness Monster.
North of Loch Ness and Urquhart Castle and west of Inverness is the town of Beauly, seat of the Fraser clan of Lovat, kin of our story’s hero Jamie Fraser. A distinctive treasure awaits in the heart of town.
Beauly Priory, a truly “beau lieu” (French) or “beautiful place,” presents its ruined self in full splendor and grace. The names Fraser and Mackenzie appear frequently on the tombstones within and around the priory. → In the book, this holy place is where Claire meets Maisri, the seer who works for Simon Fraser, Lord Lovat, infamously known as “the Old Fox.” Both the clan chief and his wise woman appear in ep208, “The Fox’s Lair.”
Technically not in Inverness-shire but also not far from Inverness to the west, Beauly Priory is free to enter and open 1 April – 30 September. Check for closures at all Historic Environment Scotland sites: https://www.historicenvironment.scot/visit-a-place/check-for-closures/. The address is Beauly IV4 7DY, UK.
After Beauly Priory’s enchantment (all above images by C. L. Tangenberg), last and perhaps best are two very important sites just a short trip east of Inverness.
Culloden Battlefield, aka Culloden Moor, Inverness-shire. → “The Outlander action is all leading up to the bloody Battle of Culloden in 1746. More than 1,200 men were killed in the defeat of the Jacobite clans.” Source: photo caption excerpt http://www.travelchannel.com/interests/arts-and-culture/photos/get-inside-outlander-on-a-tour-through-scotland/page/14. This final battle, while not depicted in the book, will be portrayed in the STARZ show during series 3, which is based on the third book Voyager. Culloden visitor centre stewards, battle and Jacobite scholars, descendants of Scotch soldiers and their families, British historians, Outlander fans, Outlander STARZ cast and crew, and Scots citizens–in short, many, many people no doubt all eagerly anticipate this unique project coming to fruition.
I know it will be unforgettable, and I hope it will bring even more people to this historic site that has long been at the center of Scottish cultural identity and its dramatic transformation.
The most prominent inclusion of Jacobite Rising history in the Outlander series comes in the form of weaving its facts throughout the story. To her fans, Diana Gabaldon’s research prowess is legendary, and the show has followed her lead with excellent historical accuracy and detail, in everything from herbs to weapons to period architecture to literal embroidery on costumes (with a few intentional nods to the 1940s in Claire’s 1740s French dresses) and furnishings.
Plot elements such as an inside look at the rebel cause in series 1, discussions and decisions by Clans Mackenzie and Fraser in both series about political loyalties, mention and depiction of the battles of Prestonpans and Falkirk, and Claire and Frank’s talk of Jacobite history both on and off the battlefield in the 1940s all merge into that complex tapestry.
In 1743, smiling after Claire’s joke, Jamie casually mentions the Mackenzie rent party’s approach to Culloden Moor. Triggered by this, Claire suddenly recalls her sad visit there with Frank, circa 1945. “What of these Mackenzie men? How many [would] die on that bloody moor?” Having begun to bond with them over the past few weeks, she now fears for their lives, with a growing sense of helplessness.
The must-see visitor centre combines access to the field with a state-of-the-art, immersion museum experience, complete with dozens upon dozens of primary accounts conveyed in both textual and audio commentary and a four-wall motion picture re-enactment of the battle itself. The museum is designed for the visitor to receive and absorb a robust before, during, and after depiction of Scotland’s last war for freedom, before stepping outside for the most fundamental evidence of its high costs.
Inside, you learn about the Jacobite Rising of 1745 from its inception, with dual-corridor pathways providing both the government and Jacobite perspectives leading up to the war, along with intricate Battle of Culloden statistical and social details, and a comprehensive portrayal of the prolonged aftermath. This is one of the best places to learn a substantial amount about Bonnie Prince Charlie in particular. The centre has also taken pains to ensure Gaelic language representation throughout the museum and on field kiosks.
A dark hallway allows you to hear what each side had to say about the failed Night March before the battle. After viewing the graphic re-enactment film complete with sound effects (think 3D Saving Private Ryan cinematography), don’t miss the excellent aerial-view digital model of troop movements with audio narration. The same room displays artifacts that were found on the battlefield and examples of swords, pistols, rifles, dirks, mortars, and cannons used in the fight.
Next, you can walk the moor, view the memorial cairn, grave stones, flags, and other battlefield features, and better imagine what it must really have been like. Pay your respects at the Clan Fraser memorial stone, which resides directly opposite the memorial cairn, among a series of clan memorial stones. More often than not, many of these will be graced with flowers and other tokens of remembrance.
The land is relatively flat but expansive, so budget your time for the trek. Go early if you intend to add another attraction on the same day, but I recommend light, short, and upbeat follow-up–something purely entertaining and relaxing or mostly physical, such as a beach picnic, river cruise, whisky tasting, tea time, train ride, horseback ride, or bagpipe show.
Actually, you might want to make a firm plan for the whisky. The Culloden historical experience, though fascinating and engaging, is a top-notch example of the ultimate sobering agent. However, despite one myth, birds do indeed sing on the moor–I made a point of listening for them after reading that somewhere. Our visit also featured two beautiful horses grazing the moor and watching over the fallen.
In getting there, keep in mind that several places in the area bear the name “Culloden”: the town of Culloden, Culloden Moor, and Culloden Battlefield, which is technically on Drumossie Moor, as well as the Culloden Inn. The town named Culloden is a bit removed to the northwest, and the namesake moor is immediately northeast of the battlefield. Culloden Inn restaurant is very close to the visitor centre, between Drumossie and Culloden Moors.
Murtagh mentions Kildrummie Moss in ep212, “The Hail Mary,” as well. This is actually farther northeast in Nairn-shire, closer to Nairn, where the British General Cumberland’s camp celebrated his birthday on the eve of their march to Culloden.
Regardless of your degree of interest in Outlander, war, or formal museums, no first visit to Scotland would be complete without at least half a day at Culloden. Be sure to include it.
Address: Culloden Battlefield visitor centre, Culloden Moor, Inverness, Highland IV2 5EU. Tel: 0844 493 2159. Visitor Centre, Restaurant, Shop: open 1 Sept – 31 Oct, daily 9 – 5.30. Battlefield open daily, all year. Price: Adult £11.00. Hire of battlefield tour PDA is included in admission price. NTS members in free.
Clava Cairns, Inverness-shire, is a set of circular piles of stones (chambered and kerb cairns), and standing stone circles (monoliths) around those cairns, along the River Nairn, near Inverness. Perhaps sharing features of the stone circle Gabaldon pictured as Craigh na Dun for her story, “the 3 cairns were burial sites about 4,000 years ago, although the remains have long since been removed. Standing stones surround the cairns, but they haven’t seen any mysterious disappearances or reappearances lately—that we know of, anyway.” Source: photo caption http://www.travelchannel.com/interests/arts-and-culture/photos/get-inside-outlander-on-a-tour-through-scotland/page/5
As part of her answer to the question “Are all the locations used in the books real?”, Diana notes in her website’s FAQs section that she had not been to Scotland when she wrote Outlander but would not be surprised if a place like the one she describes for Craigh na Dun actually existed. She found the standing stones at Castlerigg, Lake District, England, to be “very like” her imagined site once she finally did travel to Britain.
She mentions Clava Cairns and Tomnahurich Cemetery Hill as possibly being similar, but she states she had not been to Tomnahurich, which is supposed to be a “fairy’s hill.” It was not clear whether she had visited Clava Cairns by the time of her answer’s posting on that particular page, but I am fairly certain she has been there since, and I know she has visited Culloden as well.
Remember: Numerous examples of cairns, standing stones, stone circles, brochs, volcanic plugs, glacier-carved valleys, caves, and other spectacular rock formations define the landscape of Scotland’s mainland and islands. You’re likely to find one example to be as interesting as the next. This one is special in part for its very close proximity to Culloden Moor and its being part of Inverness-shire.
Just across the River Nairn to the southeast of Culloden Battlefield and visitor centre, the address of Balnuaran of Clava, or the Clava Cairns, is Inverness IV2 5EU, UK. It is free and open to the public.
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As you have seen through descriptive detail and vivid images, Outlander highlights abound in the Highlands as much as in central and southern Scotland. As I hope you have also seen, Scotland deserves exploring in its own right. Its beauty, culture, history, and adventure are matched by impressive hospitality.
Now that I have oriented you–in part 1, part 2, and part 3 of this series–to the places throughout the land of Scots that can fascinate and delight the Outlander tourist, part 4 will present my specific model for putting it all together. I’ll show you how I approached planning our trip as a do-it-yourself traveler, our full bespoke (that is, “custom-made” for you non-UK folks) itinerary, and how we adjusted it along the way. I’ll also provide further guidance about dedicated Outlander tour options, more filming locations and book story sites, as well as general travel tips and recommended resources.
Footnotes and a list of sources mentioned in this post can be found in the sections below. While I’m on that subject, remember: The information presented in these posts is not exhaustive, errors are possible, and facts change, so be sure to do your own checking when you’re ready to set a Scottish excursion in stone.
I am delighted that you’ve followed me on the journey thus far. Return next time, when I’ll help with some tough choices and prepare you to book transport and more for that Scotland trip you’ve been dreaming about. . . .
Tìoraidh an-dràsta! (CHEER-ee ehn DRAH-steh) Ta-ta for now!
Notes on Area Names
* Go to Council Areas Since 1996 for a numbered map and linked list of all 30 council areas, such as Clackmannanshire, Renfrewshire, East Ayrshire, and Perth and Kinross. The island chains of Orkney and Shetland are listed and linked separately as not shown on the map. Subdivisions into registration counties, used for land registration in Scotland, have persisted since the 1990s.
Regional divisions are a little more complicated and involve subdivision into districts between 1975 and 1996. For that fascinating history, see Regions and Districts of Scotland from 1975 to 1996, the names of which are relevant for the tourist mainly because areas are often still described in these terms.
Finally, counties go back even farther in time and were replaced by the two-tier region-district system. Scottish Counties from 1890 to 1975, like much of Scottish history, retain their footprint on the land.
Beyond these official, politico-historical categories, there appears to be a common understanding among UK and Scottish tourist service organizations and tour guidebook publishers as to which labels are most helpful to tourists. VisitScotland.com, Fodors, DK, Scotland.com, and Scotland.org are among those that blend variations of regions, council areas, and descriptive phrasing to focus tourists on optimal zones for their adventures. Examples include “Aberdeen and Grampian,” “Hebrides” (islands), and “Glasgow and the Clyde Valley.”
** The Highlands, broadly considered, are perhaps a mythical, amorphous landscape in some respects, for a few reasons. For one, this northerly expanse hardly has a monopoly on height and also seems to be synonymous with “the North.” Even the Lowlands are bordered to the south by “Southern Uplands” (Dumfries & Galloway area), and Europe and other continents boast far larger mountains.
Second, culturally and politically, the Highlands were long considered a region of backwardness, even barbarity, by their southern neighbors the English, and sometimes by Lowland or city Scots. The region could in that way be thought of as anything north, island or inland, a certain distance from Edinburgh.
Third, the geological Highland Boundary Fault line has set in stone (sorry) that once vague sense of division, officially distinguishing “up there” from “down here.” This fault zone runs from the isle of Arran and Helensburgh on the west coast, west-northwest of Glasgow, through Loch Lomond and Crieff to the northeast, parallel to the east coast on the North Sea, terminating immediately north of Stonehaven, at Garron Point, just south of Aberdeen. Visual learners, consult the map. 😉
As the line climbs to the northeast, it traverses Stirlingshire, Perthshire, and Angus, southeast of the Cairngorms. To see the topography and current place names, visit Gazetteer for Scotland and zoom out on the map. For geology lovers, here’s George Barrow’s sketch map from 1912.
Key Sources (in order of presentation in this post)
Highland Boundary Fault information was drawn from Wikipedia and Gazetteer for Scotland.
Travel+Leisure magazine’s article about Outlander cast/crew’s favorite filming locations: http://www.travelandleisure.com/culture-design/tv-movies/outlander-cast-and-crew-favorite-locations
Dunalastair Estate: http://www.dunalastair.com/Dunalastair-Estate
Highland Folk Museum: https://www.highlifehighland.com/highlandfolkmuseum/
About Tulloch Ghru at Wizzley.com: STARZ Outlander Scottish Filming Locations
Castle Leod: Castleleod.org.uk
WelcometoScotland.com provided information about Loch Garve and the Falls of Rogie in Ross & Cromarty:
Learn more about Historic Environment Scotland sites including Beauly Priory: https://www.historicenvironment.scot/visit-a-place/check-for-closures/.
TravelChannel.com‘s Outlander sites photo gallery
Culloden Battlefield: Source: photo caption excerpt http://www.travelchannel.com/interests/arts-and-culture/photos/get-inside-outlander-on-a-tour-through-scotland/page/14.
Clava Cairns: Source: photo caption http://www.travelchannel.com/interests/arts-and-culture/photos/get-inside-outlander-on-a-tour-through-scotland/page/5
Diana Gabaldon’s website FAQs: http://www.dianagabaldon.com/resources/faq/faq-about-the-books/#locations
Last time, I showed you Outlander-related tourism destinations in Central Scotland, specifically the Edinburgh and Firth of Forth areas. In that post, I also laid out my plan for this series: (1) introduce the site options, (2) share my husband’s and my Outlander tourism goals and results, and (3) lend some advice and resources for planning your own Scottish Outlander tour. The process continues with (1) site options in Central Scotland.
For Part 2 of this series, we travel to Glasgow and environs, home of the Outlander Studios, and then we’ll dip southward to Ayrshire and then Dumfries and Galloway, birthplace of actor Sam Heughan, our beloved Jamie Fraser. Remember you can go on VisitScotland.com for regional maps to follow for context, including the one for Greater Glasgow & The Clyde Valley.
This collection mixes the easily accessible with the off limits and forbidding. Glasgow is a tourist city, Troon a resort town, the country estate of Drumlanrig Castle visitor friendly, and Dumbarton Castle an underrated attraction. By contrast, Hunterston House is closed to the public, Torbrex Farm is private property, Outlander studios are tightly secured, and the treasures of Finnich Glen are guarded by dangerous pathways.
Tourism can take many forms, however, including the virtual. Therefore, I do not exclude the beautiful and interesting just because they shy before visitors.
City of Glasgow, West Dunbartonshire, Stirling, and North Lanarkshire
City of Glasgow → Outlander Settings
George Square, in the city centre of Glasgow, saw the filming of Frank’s surprise proposal to Claire → the Westminster Register office, a flash back to the future at the start of ep107, “The Wedding.”
Glasgow Cathedral, on the east side of town, accompanied by its Necropolis, a vast cemetery on a hill. → Interiors served in the scenes at l’Hopital des Anges, the hospital where Claire volunteers her nursing skills in 1740s Paris, eps 203, 204, 206, 207. This beautiful church is a magnificent tourist attraction in its own right.
Pollok Country Park, south of Glasgow’s city centre → The park doubled as the grounds of Castle Leoch and the area where Claire harvested mushrooms when she met Geillis Duncan, ep102, aptly titled “Castle Leoch.” Later, the show used it to stage the duel between Black Jack and Jamie in ep206, “Best Laid Schemes” (an homage to Robert Burns’ poem “To a Mouse,” which I analyzed in another post). The setting for that was the Bois du Boulogne of Paris. Pollok Country Park was used in episodes 101, 102, 103, 104, 105, 107, 109, and 206.
Pollok House and the Burrell Collection are popular tourist attractions on the grounds. There’s a playground, a lake, some sculpted gardens (also used in filming), a golf course, and pasture of Highland cows as well. Several bicyclists roamed the park on the rainy day we went there.
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Stirling (SW) → Outlander Settings
Finnich Glen, a.k.a. the Devil’s Pulpit, near Drymen (pron. DRIM in) just south of the Trossachs National Park in southwest Stirlingshire → St. Ninian’s Spring, a.k.a. the Liar’s Spring, where Dougal takes Claire in ep106 after he stops Black Jack’s brutal interrogation of her. Visitors to the site note that it is difficult to access but worth the effort. For important safety notes about the area as well as directions, see this TravelChannel.com page. For precise location details and map coordinates, go to the Finnich Glen profile at Gazetteer for Scotland.
Torbrex Farm, Stirlingshire. Domick Hill, Stunt Coordinator, says of it, “Being the Stunt Coordinator, my favorite location was a large tent in a very wet field, near Torbrex Farm, which is a few miles from the studio. The reason being that it’s where we filmed the majority of the Battle of Prestonpans—not very glamorous, but we had a lot of fun in that smoke filled, muddy marquee!”
Dunmore Park Falkirk, Stirlingshire → The bombed-out hospital in ep101 where Claire, in flashback, treats the wounded on V-E Day, the end of World War II. Source: http://www.travelchannel.com/interests/arts-and-culture/photos/get-inside-outlander-on-a-tour-through-scotland
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West Dunbartonshire → Outlander Setting
Dumbarton Castle in West Dunbartonshire, overlooking the Clyde River just west-northwest of Glasgow, is a medieval stronghold and center of the ancient Strathclyde kingdom. → “Sam [Heughan] was photographed there on set by Just Jared magazine, published on August 5th 2014.” Source: https://wizzley.com/starz-outlander-scottish-filming-locations/. West Dunbartonshire, a local council area of its own, also “borders onto Argyll and Bute, East Dunbartonshire, Renfrewshire, and Stirling.” Source: Wikipedia
The Dumbarton Castle address is Castle Road, Dumbarton, Dunbartonshire, G82 1JJ.
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North Lanarkshire → Outlander Settings
The Outlander studios are situated in the area of Cumbernauld (5th largest town in Scotland) & Kilsyth, North Lanarkshire, to the northeast of Glasgow. The sound studios reside in a warehouse complex where most of the indoor settings and scenes in Outlander are constructed and filmed. The official address of the studios is LBP Outlander Ltd. (Left Bank Pictures), 2 Wyndford Rd, Cumbernauld, Wardpark North, Glasgow G68 0BA, UK. It is the site of the former Isola-Werke factory. Security is tight, but you can drive by and stop briefly at the labeled gate.
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North Ayrshire, South Ayrshire, Dumfries and Galloway
North Ayrshire → Outlander Settings
The Hunterston House interiors → the Reverend Wakefield’s Inverness rectory in eps 101, 108, 201, and 213. This is where, in 1945, Frank Randall and Reverend Wakefield talk genealogy; Claire has her tea-leaves and palm read by Mrs. Graham; the Reverend Wakefield, Graham, and Randall convene along with wee Roger to search for the missing Claire; and where Frank and the Reverend discuss matters upon Claire’s return in 1948, including the shot of Frank running down the stairs after hearing her biggest news.
It is, of course, also where we meet adult Roger Wakefield and Brianna Randall at the end of season 2. The site is closed to the public, but they have an ample gallery on their website. Exteriors were filmed elsewhere. Go to the Hunterston House website for more information. Their address is Castle Avenue, Hunterston, West Kilbride, KA23 9QG, Ayrshire.
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South Ayrshire → Outlander Setting
Troon, coast of Kyle, South Ayrshire. Troon is a resort town on a headland at the north end of this council area and of Ayr Bay, about 35 miles southwest of Glasgow. → Coastal shots where Claire, Jamie, and Murtagh depart for France, ep116. You can learn more at VisitScotland.com and Gazetteer for Scotland.
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Dumfries and Galloway → Outlander Setting
Drumlanrig Castle, Thornhill, Upper Nithsdale, Dumfriesshire → Season 2 filming location for the estate at Bellmont, England, the Duke of Sandringham’s last residence. Ep211, “Vengeance is Mine,” script written by Diana Gabaldon.
Contact address: Thornhill, Dumfries & Galloway, DG3 4AQ, Scotland
Come back for Part 3‘s review of Highland tourism sites for Outlander filming, book story, and Scotland fans.