Grand Showcase coming soon!

Hey, art lovers and writers in northeast Ohio, heads up!

The annual Writing Knights Grand Tournament has been restyled as Grand Showcase and Marketplace 2018!

Grand Showcase 2018

Presented live in Canton, OH ~ July 27-28

Hosted by Writing Knights Press and downtown Canton

I’ll read my poetic “Scenes from a nature film” live @ IKON Images Gallery & Shoppe, July 28 at 1pm

Descriptive nature verse (mostly)–some seasoned pieces, some revised, some made fresh for the show

Located at 221 5th Street, Canton, IKON is just one of several venues where poetry, music, comedy, and stories will be performed over Friday and Saturday, July 27-28.

Check out the full main schedule of performers, including me at 1pm on Saturday, July 28, plus an open mic list. All the action starts Friday night, July 27.

Open mic runs concurrently with the main program on July 28, from 12pm to 6pm. Interested performers for the open mic email writingknights@live.com. Full instructions here.

Below is the general plan. “Love” offerings (cash) will be accepted at each program.

“Friday July 27th from 7pm to 9pm: We will have one show at Makeshift Makerspace.
Saturday July 28th will be the big day. We will have the following shows:
  • 12pm to 2pm show at IKON Art Gallery
  • 3:30pm to 5:30pm show at Makeshift Makerspace
  • 7pm to 9pm the final show of the event at Avenue Arts/Kathleen Howland Theatre.”

Vendors will set up along Court Street, so bring cash for food, souvenirs, etc.

Writing Knights will also be selling copies of the Showcase issue of their literary magazine The Wayward Sword for $15. Four of my poems made it into the litmag.

Full details at Writing Knights Press, see the posts using key word “Grand Showcase 2018.”

Come out to support the arts scene, share your work, get inspired and just have fun!

Poetic Feet to the Fire

I’ve won a poetry contest before, once (granted I’ve entered only about 4 or 5 total), and I entered one recently. For this live performance competition, I collected a group of poems I thought to be of reasonably high quality for the upcoming event (end of July). Before long, I started narrowing down the candidates, returning to that process again after two things changed: The “tournament” became a showcase due to insufficient competitor entries to make the brackets work, and the accompanying call for literary magazine submissions opened up to entries from more writers than just would-be contest winners.

Thus, the pressure was lifted for content on one platform (stage) and transferred to the other (page). The result was to extend the time available for each writer’s decisions on what to submit (deadline moved from June 2 to July 1). With the change in deadline came more detailed guidelines as well. I suppose the crisis of faith that followed for me simply happened sooner than it might have, which is probably good since you don’t want to panic right before going on stage either. Whatever the cause or contributing factors, doubt has crept in.

I had already shuffled the order a few times, relegating poems to alternate status and back again, when I learned the news of the event’s structural changes. Before the tournament became a non-competitive showcase, there was to be a series of time limits for contestants at the mic. However, with a dearth of entries, stage time has expanded for each participant. By contrast, with the new goal for the literary magazine being to include more participants than before, page space per writer has shrunk.

The new submission guidelines for poetry (the event includes storytelling, comedy, and music as well) specify a limit of 30 lines per poem, including lines between stanzas, and this has added difficulty to my decisions. It’s appropriate–only your best work. Of course I would submit only my best! If I could.

My trouble, as I see it, given that I do not write poetry prolifically, is that my shorter poems, the ones eligible for submission, tend not to be as good as those just out of range.

The consequences? My collection has thus begun to dwindle further (not inherently bad); I was forced to revise structures to make a few poems more horizontal and less vertical in appearance (no biggie); and I started to feel the overall quality ebbing away (kind of a biggie). The bubble of my collection of poems seems already to have burst.

For this event, I’ve focused on nature poems, but so does my overall poetry collection. Due to my infrequent verse writing activity (up to a half dozen poems a year), the total collection of possible candidates also spans a period of decades. The oldest poem in the group is 24 years old, the youngest a couple of months. My verse children were born in different personal eras (adolescence, college, working world), geographical places (France, Ohio, and Massachusetts), and moments in my poetic development (confessional, abstract/obscure, nonsensical word play, formalism, free verse with internal rhyme, terse verticality, and so on). A diverse brood. Ironically, the oldest poems tend to be the most underdeveloped–sometimes that’s the nature of literary babies (and some humans).

I have not officially, i.e., formally, published any poetry in my career, if one can even call it a career. So, finding myself on the cusp of large-scale live audience action, if not publication, I’m sitting up a little straighter and feeling the lick of flames under my toes.

In desperation before these emergent, combined realities, I found myself scrounging for additional works to use. One poem I had discarded, or set aside, a few years ago as birth defected and beyond repair has become an object for resuscitation, remodeling, and renewal. You can do that with some writing. I journaled about it, scanned the meter, and color coded my pen marks for the strongest aspects I could isolate and reshape into something new. Now the poem awaits rewriting. Who knows? Maybe it will be the saving grace of the family.

Putting yourself out there is a healthy thing, I must remind myself, even if doubt lingers. It forces you to keep moving forward, find a way to make things work, and start new projects. With the imminence of the showcase, for which I’m officially on the schedule, I gain new motivation to work, to improve, to learn, and to try again. Sometimes, when idea inspiration doesn’t come, when desire to express doesn’t win out, the external pressure of a deadline and an audience can provide the needed incentive.

What is it? Disguised blessing? Healthy challenge?

There are more ways than one to get things done, and opportunity need not be a crisis. So courage, creator! And carry on toward adventure.

Ethan Builds Frustration Tolerance

You’re only supposed to say it once, but here I go: “Ethan, come!” * smooching, thigh slapping * “Ethan! Here, bud! Come!”

Every day, several times a day, a high-pitched, friendly beckoning call issues forth from my lips. And every day, a big-eared, brown-eyed, wiry-framed, red/tan, 11-month-old, Vizsla/hound-or-something mixed breed dog stands and stares in the direction of my call. The duration of that standing and staring depends on several dog-driven factors: location within the house, outdoor circumstances, time of day, number and type of distractions, degree of hunger, sound of a rustling kibble bag, how long he’s been awake, mood or degree of playfulness or fear, amount of time I’ve been gone, and others.

My dog doesn’t come when I call him, whether indoors or out. Well, that’s not entirely true. He does maybe one-third of the time, but more often outside than in. What can one do but shake one’s head?

Well, I’ll tell you. I’ve read at least half a dozen dog training and behavior books at this point and watched videos and demonstrations. We’ve worked with a personal dog trainer and taken a group obedience class. We’ve consulted a separation anxiety expert and our veterinarian. We train and condition our dog in obedience, agility, and anxiety-reducing socialization every day. We try our best to follow the rules of training, to ensure the behaviors we intend to instill are the ones taking hold. We set boundaries, rules, and limitations, in the spirit of “Dog Whisperer” Cesar Milan.

Although still young, Ethan’s quirks seem to make him a peculiar case, which adds an extra degree of confusion to many things we try to do with him. And we do a lot. He’s our baby, after all, so we keep trying.

I take Ethan for a walk of at least one mile, on a long lead so he can trot and run a bit, almost every day, including 24-degree Fahrenheit, 18-degree wind chill days. The three of us even took a walk on a day in 10 degrees, until Ethan’s frosty paw pads sent us back home. We exercise him indoors when it’s too cold outside. We’re working on getting him comfortable walking on a moving treadmill.

We feed him gradually and dynamically with treat- and kibble-dispensing toys and puzzles to keep his mind sharp and digestion even. I’ve taken him to half a dozen different metro parks, a few pet stores, and people’s houses, including the neighbor’s with their dog who is a vigorous playmate.

I rub under Ethan’s chin for encouragement as often as he’ll let me, praise him generously nearly every moment of correct, compliant behavior, play with him daily, let him sniff my face frequently and sometimes lick my ears, and then further intensify our bond with belly rubs and traces of human food from this plate or that bowl.

I love affectionate dogs, and I hope mine becomes more comfortable with me one day.

Ethan was introduced to us as a “shy” dog, but the label isn’t a perfect fit anymore. He’s afraid of certain things and people in certain circumstances; he’s a bit unpredictable in fear and trust. There are things and movements that make him “shy” away from us, his owners, but sometimes those things only make him stop or sit and look at us funny.

Trust is first, they say, which means that after seven months together, we still can’t take him anywhere off leash, including our unfenced yard, because he can’t be counted on to obey us more than he obeys his fear. Sure, he’s got a collar with tags, an embedded ID chip, and up-to-date shots. But when your dog doesn’t fully trust you and is easily scared by unanticipated stimuli, he’s easily put in danger.

When I take Ethan for a walk and let him wander ahead a bit on the longer leash, sometimes he responds to his name by turning around, at which point I praise him enthusiastically and reach in my pocket for the kibble reward. He trots slowly back to me, sits readily (he sat well from day one) without being asked, and gobbles up the treat. I release him with an “okay” to continue walking, and we’re back in the groove. Sometimes it works; other times it doesn’t.

We spent a lot of time teaching him to bound back to us at the sound of his name, excited for the goodies at the end. But if he’s too busy sniffing, which he often is, or he’s found something on the ground more exciting to nibble on, also not infrequent, or, he’s too wary of us to return, then he will not respond to his name or the “come” command, either by returning or even looking up.

His mind is intelligent and stubborn. However ill-founded, when dogs learn them young, preconceived notions of danger and survival die very, very hard, if at all. Whatever happened to him, he’s having trouble “forgetting” what it taught him. Or, and this is also likely a factor, fear is in his genes.

Even the walk itself is not a foregone conclusion. Before we can get him out the door, we have to corral him. We’ve had Ethan since mid-July 2017, but a few months ago, into his adolescence, when new behaviors sometimes form, he developed a mistrust of the harness, the leash, and us with either tool in our hands. You’d think a dog so eager and apparently happy during the walk would be rushing to go out the door rather than bolting to hide from us in the other room. Not so with this one.

As far as we know, we created no negative association with the harness or the leash. It’s possible he could dislike the feel of the harness or being led as a condition of being allowed to walk, being pulled on, etc. It seems more likely, though, that he just doesn’t like being reached for with a tool he knows will control him in some way, or just being reached for, full stop. He’s up and down on that one, too.

Many hours have passed—days, at this point—hours of coaxing, treat luring, patient waiting, sitting in a chair, standing, sitting on the floor, following slowly, approaching laterally, backpedaling encouragingly, exiting the doorway to the deck, corralling him in the bedroom, switching leashes, collar grab desensitization practice (incomplete, I admit), trapping, cornering, tricking, switching directly from tie-out to leash, and rearranging our order of steps so we get dressed last of all before the walk.

We’ve eliminated sudden movement and surprise grabbing from behind. It’s all slow and steady now. After a few tries of our offering food, letting him have some, using yummier food, and trying to reach for him, he decides he prefers not to eat after all. And this is one extremely food-driven dog; we use his kibble as his most common treat. He knows us, he knows we won’t harm him (I hope), and he’s been on dozens upon dozens of walks with us before. Still, and more than before, Ethan’s intractable mind dislikes something about getting ready for a walk.

His extreme skittishness can be quite maddening. He’ll dodge the leash very skillfully for half an hour, and avoid crossing certain thresholds because he knows I can corner him there. I’ll stop trying and ignore him, and then, not five minutes later, he’ll hit the chimes to go outside. Other times, the leash or harness avoidance episode will last so long, and so mentally tax us both, that he’ll take a nap afterwards. Sometimes I join him. That’s one confused puppy—and owner.

To desensitize him to the fear and counter-condition him with a happier response, it’s our job to pinpoint the exact what, how, where, when, with whom, and why of his fear. We must identify the trigger, every trigger, of his anxiety, eliminate it, and replace it with bliss and passionate joy.

We’ve found sample procedures to follow, broken out step by step into daily and weekly schedules. We just have to choose, commit and see it through. Some anxieties will take weeks to treat; others, we hope, will go more quickly. I’m not looking forward to this work, which we’ve already started doing informally, and which is looking more and more compulsory the more I read about it and study my dog.

That crazy feeling increases with his next moves before an attempted excursion–whether a walk or a car ride. Like a light switch flicking on, once he’s captured, Ethan submits, albeit sheepishly, and waits patiently by the door to be led outside. Even better, once we are outside, he quickly falls into walking as if he’s fallen out of bed—exploring, scent tracking, surveying, and exercising along the sidewalks, yards, devil strips, clearings, and playground of our neighborhood. He enjoys car rides just fine, too, though he can get a little car sick with excess hills or turns.

These days, Ethan’s fears are overpowering his desires. Ethan has taken the same Intro to Agility course twice. He loved it the first time and seemed to love it the second time, though he also seemed a bit more confused about what to do, even though we did practice in between course runs. However, when we were practicing focus forward today for agility, even when I upped the ante with a higher value food reward—chunks of dried beef roll—he still wasn’t sure he could trust me enough to grab his harness without killing and roasting him on a spit.

After a few successful runs, his suspicion began to outweigh his interest in the exercise, so I called it quits. I preferred not to find myself chasing an unleashed, untethered, unfenced-in chicken of a puppy across the neighborhood—no matter how delicious he’d be.

Early on in our relationship, I wondered if he was showing aggression, but he’s more nervous in his warnings. He seldom barks, unless frustrated, bored, or playful. He has never barked at other people or dogs outside, only at us and our dog sitters in the house when he wants something or doesn’t like what we’re doing or not doing. Usually, it’s when I’m gone, and others are left to fend for themselves with him.

After making some headway in our first few months together, between teaching him to trust and teaching him to obey, now we’re not getting far with either. Some results have plateaued while others seem to have eroded from the hill of progress.

I think he knows what many words mean, even if he doesn’t follow basic commands consistently. He understands “no” and “ah-ah-ah” as deterrents, and he shows respect when we’re eating after we tell him to “go lay down,” sometimes with a follow-up gesture, eye contact, or saying his name low and warningly. His powerful nose makes him rude while we cook, too, but with repetition, I can get him to lie down and stay put–for a while.

Ethan reluctantly gets that “all done” means no more food. He knows to go into his crate when I say “in your bed” in the bedroom. He has been exposed to “sit,” “come,” “stay,” “down,” “up,” “look,” “place,” “yes,” “wait,” and “okay,” but his understanding of these is unclear because his reactions are inconsistent. He may realize that “stairs” means we’re going to throw treats up and down them so he can run and eat at the same time. He has learned to nose the chimes on the sliding glass door handle when he wants to go outside—even when he doesn’t have to relieve himself. Sometimes he just does it out of boredom.

He’s clever and sensitive enough to learn what he wants to learn, in his own way.

Although rather mellow when not afraid, Ethan is definitely an athlete. When he does make it out the door, he climbs on boulders and flat rocks around the neighborhood, jumping up onto higher ones and down off them again. Sometimes, while playing the mountain goat, he looks for a treat right away. Other times, he just moves on to the next thing, needing no more reward than the climb itself.

He walks the ledge perimeter of raised flower beds at the playground and allotment entrance. He ascends and descends hills, crosses streets, and trudges through snow happily. He even has the athletic build of a deep-chested, sleek-legged racing hound. He’s pretty fast when he can stretch those legs.

He is more curious than nervous around people and dogs on the walk. He likes to crunch on acorns, despite our protests, and he prefers eating rabbit and deer scat to sniffing it. Thankfully, we can prevent his ingestion of dog poop . . . most of the time.

As good, brave and adventurous as he can be, Ethan has had to learn to tolerate boredom because his indoor fears often prevent us from doing things. He has mastered destroying toys, for one.

Gradually, we got him used to a more flexible schedule than he started with, but maybe he still needs old routine more than we think. He naps for good portions of both day and evening, though, and he doesn’t freak out when we don’t go for a walk first thing. His acceptance of the new patterns actually seems pretty strong.

He has been learning frustration tolerance gradually, learning that he can’t always get what he wants, at least when he’s not too afraid to want. When he is afraid, all he wants is to be left alone, to flee, to hide, to run away, to duck and cover.

I think it’s fair to say he’s teaching us more frustration tolerance than he’ll ever have to know. It’s deeper than being incorrigible. Ultimately, it’s his tolerance of fear that we really have to counter-condition. Only in our dreams can we afford to believe it’s just a phase.

As I’ve said, Ethan does have his moments. He loves to play, he’s learning not to bite during play, and, once guided, he’ll stop playing and settle down. He greets known guests happily now, he falls asleep readily day or night, and stays asleep all night, entering his crate without hesitation or verbal command.

He hasn’t peed or pooped in the house even once since the very few times last summer during his adjustment to his new home. He chews on nothing but his toys, and he chews a lot. He’s not so high energy as to be a constant barker or annoying jumper, humper, or counter surfer. He’s pretty chill, he can be totally hilarious, and he is, of course, the handsomest dog on Earth. These are not small victories. We’re grateful that the rescue organization, who gave him his name, chose us to care for Ethan.

But Ethan’s got a long way to go to be a happy, comfortable dog most of the time. It will probably take years if he ever gets there. Although he’s a sprinter, this will be a marathon for all of us. It’s not what I was hoping for, I’ll admit. I really didn’t want a special “pet” project this time, which we had with Elyse, our chronically ill first dog. For now, Ethan does have good physical health, but we’re already dosing him with anti-anxiety medication to support his behavior reshaping.

I’m beginning to think my dog trainer’s preference always to look for a good breeder is the right idea. Rescuers, God bless you, she says. The thing is, when you’ve done all your homework and still end up with piles of work beyond the already large amount that comes standard with raising a dog, it’s sometimes, well, intolerably frustrating. Then again, it’s life, not just how one acquires a pet dog, that’s like that proverbial chocolates box.

I just hope we get a chance to see the benefits of what will become substantial investments of focus, time, money, energy, and emotion. Ethan has great potential, after all. I hope it’s true that, if anyone can do it, we can. Meanwhile, we continue enjoying the good stuff and eagerly await the spring.

An Outlander Tourist in Scotland, Part 4

Last updated March 17, 2017

My previous posts in this series collected and presented the vast majority, a total of 37, of the options for Outlander tourist attractions in Scotland: book- and film-related sites numbering 15 in Part 1, 11 in Part 2, and 11 in Part 3.

This post tells the story of my planning process for our own Outlander-themed Scotland trip, complete with changes in scope, backtracking, enlisting outside help, comparing and revising itineraries, and reflecting on the choices we made. Next time, I’ll provide a review of our Outlander tour experience and of the tour company we went with for our day tour.

Also in my final post in this travel guide series, I will list and discuss Outlander tour companies and tour options, including additional film locations not covered in my first 3 posts, compile a list of all the resources linked and discussed in the first 4 posts, and run down a list of websites and apps I used and loved but didn’t mention here. I’ll also provide some final thoughts on travel for Outlander, in Scotland, and generally. A sign-off of sorts with directory, closing credits, and bibliography.

Other Scotland trip posts down the road will add to the trail of breadcrumbs I’ve laid down since last October, to highlight specific sites visited, services engaged, adventures experienced, and images captured. Be glad you weren’t subjected to a slide show at my house; you have the privilege to take in these servings in digestible portions. In case you missed the first several, see the list at my introductory post “Scotland Ventured, Scotland Gained.”

March 2016

It was about this time last year when I began my months’ long planning process for a UK vacation with an Outlander focus. I don’t recommend spending as much time as I did—even if you have it; I simply have an obsessive, high-maintenance approach to project planning. I “just want it the way I want it.”

Still, as with many transcontinental excursions, for travelers from outside the UK going there for the first time, there are some things you should consider and do several months in advance of your departure. The most obvious include booking airfare, lodging, and, of course, your dream Outlander tour. In most cases, it will be wise to book the tour first of all.

Where I Started

My first phase involved researching England and Scotland for places and attractions I would most like seeing. In addition to doing online research, I purchased a set of travel guides and magazines at the bookstore instead of from online, where I previewed them and their reviews, so I could flip through the pages of the options, get a feel for each one’s layout, focus, ease of use, size and weight before buying. These included a combination of books and magazines:

  • the pocket guide DK Eyewitness Travel Top 10 London 2016, filled with best-of lists
  • the full guide books DK Eyewitness Travel Great Britain (2016) and Fodor’s Travel Essential Great Britain with the Best of England, Scotland, and Wales (2015)
  • Discover Britain magazine (Apr 2016)
  • London 2016 Guide from Britain magazine
  • Scottish Life magazine (Winter 2015) focusing on Orkney
  • Scotland Magazine (Mar 2016) featuring “Best of Argyll”

I had enjoyed the color illustrations, digestible organization, and other features of DK’s guide to Provence when I traveled for study abroad in college, and I was not disappointed in any of the DK products I bought for this trip. Fodor’s turned out to have a valuable alternative perspective along with stellar regional maps and recommended sites labeled by “Fodor’s Choice” in each region.

Curse of Abundance

In addition to taking notes on the overall highlights of each major city, I compiled lists of attractions from different regions of England and Scotland into groups. After a few weeks of attempting to narrow the list down to a reasonable set of regions and sights, I then used the suggested itineraries in the guide books to draft a few possible trip outlines. The shortest trip I could stand to plan under these constraints was 16 days, and that turned out to be too long for us due to the budget and timing of our trip.

Getting Unstuck

To solve this problem, I took a different tack: First I created a checklist of steps to consider taking to strategize our tourism.

  1. Hire a travel agent!
  2. No more than 1 of each of these types of attractions per day in regional, smaller towns and countryside. Countryside:
    • castle & historic home
    • museum & castle
    • home & museum
    • < 2 castles
    • 2 historic homes & 1 home’s grounds
    • < 2 larger museums

          In town:

    • shopping (1 street or 1 famous shop)
    • art gallery/antiques/architecture walk
    • bookshop
    • park
  1. Travel by train or car only; buses take too long (this would later turn out to be a false assumption). Again, for smaller towns and the countryside, unless otherwise advised.
  2. Choose 2-3 regions of England plus London, maximum.
  3. Choose 2-3 regions of Scotland plus Edinburgh (or Glasgow?), maximum.
  4. Plan a trip that lasts more than 14 days (a fortnight). Otherwise, you won’t even squeeze in 2 regions per country beyond the major city.
  5. Choose a theme of types of places to focus on, especially in smaller towns & countryside, one theme per region or town. Possible themes:
    • history – range of periods for greatest variety
    • literature – there are lots of literary tours and trails highlighted in guide books, and I took special interest in crafting some possible versions of literary tours in both England and Scotland, focusing naturally on Shakespeare, as well as Burns, Scott & Stevenson, among others.
    • sports/contemporary culture
    • views/vistas
    • nature walks
    • art/architecture
  1. Consider avoiding longer ( > 1 day or ½ day) scheduled tours, being locked into those.

From this process, I color coded my previously handwritten notes, highlighting preferences and categorizing attractions by type. Fodor’s and the top 10 guides were particularly helpful to this end in their category pages by type of attraction or experience. These included castles, palaces & historic homes, villages & towns, cities small & large, gardens by season, and things like parks, mountains, lakes, and walks.

To narrow further, I even created a Must-NOT-See list of things to avoid because either I did not care about them, they seemed overrated or tourist trappy, or they might even disgust, offend, or otherwise dampen our adventure.

The Must-Flee List

My must-not-see list included things easily captured in online pictures or video and grandeur for its own sake. Between college visits, study abroad, and post-college travel, I had already been to Paris, Normandy, the Loire Valley, Provence, the Riviera, Venice, Florence, Rome, Vienna, Salzburg, and Holland, as well as Utah, Colorado, New York City, Washington, D.C., Virginia Beach, western Massachusetts, upstate New York, and several parts of California. My husband had already been to Abu Dhabi, Dubai, Ankara, Istanbul, and Paris.

And together we’d been to Chicago, Wisconsin, Mount Rushmore, Devil’s Tower and the Badlands, the Great Plains, Denver and the Rockies, Northern California, Cape Cod and Martha’s Vineyard, North and South Carolina, Orlando and the Florida coast, and on a western Caribbean cruise for our honeymoon. With everything we’ve been blessed to see, we didn’t need to be dazzled by immensities.

Other no-nos included shopping meccas (not my thing); Wales which has lots of cool castles (plenty of those in Scotland) but not much else of obvious interest; places too far out of reach, such as the Outer Hebrides, Ireland, Northern Ireland, East Anglia, Cambridge, and the Orkney Islands (though I might make a beeline for Orkney next time for all its uniqueness); gardens best seen in other seasons; famous sites too far off our “circuit” unless personal meaning demands it; too many churches; and too many castles. In London, I discarded Buckingham Palace, Westminster Cathedral, and anything focused solely on the Royals. I just didn’t care.

Chopping Block

When all that was said and done, even with all that trimming and relinquishing, I finally realized and admitted to myself that we couldn’t do both England and Scotland in a feasible amount of time without feeling rushed and disappointed by what we would miss. Over the years, my vacation philosophy has evolved to a preference for more in-depth exploration of a smaller territory over the impulse to cover as much mileage as possible before throwing your exhausted carcass back on the plane or in the car home.

At that point, I asked my husband if he would object to visiting only Scotland this time around, and to my surprise, he agreed. I had been laboring under the assumption that he would very much prefer England due to his greater familiarity with it, his frequent exposure to English Premiere League football matches, his Manchester City fandom, and, frankly, his lesser interest in Scotland and Outlander compared to mine.

I was so relieved to gain this freedom of focus, to be able to plan a trip that wouldn’t be the typical whirlwind tour of a vast region that goes by in a blur and becomes more stressful than the everyday work situation your vacation is meant to offset.

Scotland it would be.

Scotland Guidebooks

To adjust to this change in plans, I purchased the DK Eyewitness Travel Top 10 Scotland pocket guide and a used 2011 edition of Peter Irvine’s Scotland the Best, touted as the guide preferred most by Scots. The top 10 guide provided the same format of best-of lists in various categories—some regional, some interest based—found in the London version.

I would have purchased a more current edition of Scotland the Best, but the best option would not be released until October, after our trip would have ended. I felt the older edition served its purpose and did not regret buying it. Without illustrations or photos, Irvine’s guide focuses on providing comprehensive best-of lists in a broad range of categories and subcategories.

Certain of Irvine’s preferences I found surprising compared to those in the other guides that seemed more in agreement with each other. As a later purchase following so much in-depth research, Scotland the Best turned out to be less useful than the collected wisdom from the other guides, but I was still glad to compare viewpoints and learn about some attractions beyond the beaten path.

Drilling Down

With these new tools, some of my more intensely focused additional considerations consisted of narrowing down options among types of attractions found in abundance, such as castles, to only the very best, those nearest along our natural circuit through the country, or those with special literary, historical interest, or film association. For instance, having traveled in Europe and to several major U.S. cities with rich arts scenes, I already knew which types of art I preferred and what kinds of activities my husband and I leaned towards.

I also felt the need to mix in a variety of activities requiring different levels of energy, foot travel distance, and other demands on the human body or mind, spread across several days with rests or natural lulls built in. Thus, an all-day Jacobite Steam Train ride after several days of hoofing it to cover our bases. Hubby slept a total of at least an hour on that West Highland line while the spectacular countryside meandered by, but he had the very legitimate excuse of having been the designated driver of the previous week, adapting to opposite sides of car and road, as well as single-track, stone-sided, and winding roads, for the first time. I was just the navigator.

Outlander Tours

As for factoring Outlander in with all of these guidelines, I had already begun screening the other guides for popular Scottish sightseeing and scanning Google maps to locate as many Outlander-related sites as possible. I had also oriented myself to some of the better, recommended Outlander tour companies, using Diana Gabaldon’s website as my starting point.

Newly applying the Scotland focus to the Outlander tour search, I then began narrowing down those options to find one that would be more than a half-day but less than 3 days in length so we wouldn’t overdo Outlander at the expense of classic Scotland and an overall varied set of experiences.

I settled on Inverness Tours early on, but as the timing and focus of our trip evolved and solidified, I lost my window of opportunity to book a day tour during the dates we had selected. My second choice became Slainte Scotland, but I hesitated, corresponding with the company to gather more information to clarify exactly which sites the tour would include.

Reaching Out

Although it might not seem like we needed it, I did end up hiring a great travel agent, Chima Travel in Akron, Ohio, which helped with reality checking, pre-packaged tour awareness, and eventually discounted airfare and hotel package booking. However, our agent was impressed by my prior homework, to be sure.

Excited to see the trip taking shape, as I mentioned in my overview in Part 1 of this series, I laid out our tentative list of sites and sights in the post Five-Phrase Friday (38): Scotland.

“Five Scottish regional destinations for a 2-week visit, clockwise order from the south-west: Most preferred sights are listed for each area, though we may will not make it to all of them.

  1. Glasgow and environs (4 nights Glasgow) – Glasgow Botanic Gardens, Kelvingrove Art Gallery and Park, City Chambers, Glasgow Cathedral/Necropolis, a play, boat ride on the river Clyde; Cumbernauld (Outlander studios drive-by), Falkirk Wheel, Stirling Castle, Doune Castle (Monty Python, Castle Leoch), Wallace Monument

  2. The Trossachs, Argyll, and Central Highlands – Loch Lomond (and maybe Loch Katrine) in Trossachs National Park; Loch Awe, Inveraray Castle; Glencoe

  3. The Great Glen, Highlands, and west coast (2 nights Fort William) – Fort William, Glenfinnan Monument (Jacobite Rebellion launch), Jacobite Steam Train to Mallaig, lochs and walks in the Great Glen; Eilean Donan Castle

  4. Inverness and environs (3 nights Inverness) – Inverness Visitors Centre, excursions to Foyers Falls, Loch Ness and Urquhart Castle (maybe a boat ride), Cawdor Castle (Macbeth), Culloden Moor (Jacobite Rebellion), Clava Cairns (standing stones with split rock), Cromarty, Black Isle, Moray Firth

  5. Edinburgh and environs (4-5 nights Edinburgh) – Edinburgh Castle, National Museum of Scotland, Palace of Holyroodhouse, Calton Hill, The Royal Mile main street, which includes Writers’ Museum, Greyfriars Kirk (“Bobby” the Westie), St. Giles’ Cathedral, Scott Monument, and more; Southern Uplands including Rosslyn Chapel and maybe Abbotsford House (Sir Walter Scott) and Melrose Abbey

The above sites are separate from several specific towns and rural locations where the Outlander TV series has been filmed. After some consideration, I’m inclined to skip a packaged Outlander tour in favor of making our own. I know enough about the books, TV series, and show creators that information won’t be lacking, and we need not be further restricted in our movements or schedule. ”

What I ended up doing is splitting the difference and combining self-guided Outlander tourism with a single day’s guided Outlander tour, taking the official tour early on and scooping up the remainder once we obtained our rental car on day 4.

Another part of reaching out came to me around this time. My friend and fellow Outlander fan called to tell me she and her husband would be going to Scotland in July with another couple for 10 days and that they had booked with Inverness Tours. She thought I’d be jealous, but I told her about my planned trip too, and we ended up sharing in each other’s excitement. She agreed to help with recommendations after her trip to inform mine, and she even looked at my itinerary to weigh in on its feasibility. I’ll share their circuit and some of her tips in my final post in this series.

Our Scotland Trip

Next is a look at our two-week trip overview and a comparison between the planned and actual itinerary of the first two days. While day 1 turned out quite different from its plan, day 2’s plan came to fruition, except for the Real Mary King’s Close, which was our last major Edinburgh attraction on the 19th. Note the bit about where we dined and what I ate.

Screenshot from 2017-03-08 22:56:18_p1d1-2

And the rest of our itinerary . . .

Sept 16

We flew in overnight on September 15, arriving September 16 late morning in Edinburgh, and used a taxi from the airport to our hotel, the Residence Inn south of Old Town. After sleeping very little on the plane, we snoozed in the restaurant of our hotel waiting for our room to open up, then slept the rest of the afternoon and had a late dinner at Vittoria, which serves up-scale Italian food.

We then used a combination of buses, trains, a tour van, and our unaccustomed feet to explore the hilly, cobbled Edinburgh and surrounding areas over the next three days.

Sept 17

Outlander Tour of 5 filming sites. A 9-hour tour with Slainte Scotland, led by Managing Director of Clyde Coast Tourism Ltd., proud Scot, and Outlander STARZ TV series extra, the lively, lovely, and knowledgeable pro tour guide Catriona Stevenson: Midhope Castle (Lallybroch), Blackness Castle (Fort William), Falkland (1940s Inverness), Doune Castle (Castle Leoch) including whisky tasting, Culross (Crainsmuir and Castle Leoch herb garden).

That evening at the Royal Lyceum Theatre, Edinburgh, we attended a vibrant performance by the Dundee Rep Theatre of the ceilidh-style historical and political play The Cheviot, the Stag, and the Black, Black Oil, which kept us awake even after an all-day tour and with jet lag setting in from the day before. Seeing this play early in the trip provided essential perspective on the past 200 years of Scottish-English relations and politics, which we could then reflect on as we traveled the country.

Sept 18, 19

Edinburgh city tourism, including book sites Palace at Holyroodhouse and walks through Old Town, setting for the printer’s shop and smuggling outfit of A. Malcom, Jamie’s alias in book 3, Voyager. The main focus on these days, though, was catching some of Edinburgh’s major attractions, including Edinburgh Castle, the Writers’ Museum, the Real Mary King’s Close, and Scott Monument on Princes Street—well worth it!

                        Planned                                                                Actual

Screenshot from 2017-03-08 22:59:36_p-1d3-4_18-19_re-done_WritersMuseum

We picked up our car on the evening of September 19, our last night in the capital before heading north to the Trossachs and Argyll early on Tuesday morning.

Sept 20

All-day personalized journey through Argyll & Bute’s vistas and sites of ancient Scots roots and a Gaelic kingdom’s medieval hillfort, with the delightful Àdhamh Ò Broin, Gaelic Language Consultant for the Outlander STARZ show. We hired him for a day of his time to share his love and knowledge of the endangered Dal Riata Gaelic dialect, the wonders of Argyll, the region of his upbringing, and insights into the everyday lives of Scots from the past and today.

We managed to fit in views of island mountains, croft ruins, standing stones, ancient hill fort, cairns, sheep, a few castles and ruins, lochs and hills, bagpipes, singing, cattle, jokes, supernatural stories, local color tales, coffee, lunch, two churches, and a night view over the Kyles of Bute. We even took a close look at a caterpillar (in Àdhamh’s hand on this blog’s recent header image) at the Kilmory Oib Township ruins.

Phew! What a day. By far superior to anything we could have done on our own. As a result, we skipped visiting Inveraray Castle and the Auchindrain Museum village, though we passed by both. The richness of our experiences made those omissions irrelevant.

                        Planned                                                                Actual

Screenshot from 2017-03-08 23:00:08_p-1only_d5partial_20th_topScreenshot from 2017-03-08 23:00:08_p-2d5partial_20th_middle

Screenshot from 2017-03-08 23:00:50_p-2d5_20th_bottom

Sept 21, 28

Combined with unrelated but great attractions in the vicinity, we selected additional Edinburgh-area Outlander options among Glencorse Old Kirk (visited, film), Linlithgow Palace (visited, film), Hopetoun House (skipped, film), and Preston Mill and Phantassie Doocot (skipped, farther east, film). Upon returning to Seabank B&B at the end of day 2 in Argyll, the Trossachs, Stirlingshire, and Midlothian, we encountered our previous day’s guide Àdhamh Ò Broin at the Drover’s Inn, on the north end of Loch Lomond! Well, it is a small country, after all.

                        Planned                                                                Actual

Screenshot from 2017-03-08 23:01:31_p-2d6-7_21-22

Sept 22

Drove through Glen Coe—an absolute must for any first-time visit to Scotland—on our way northward up the Great Glen toward Inverness. Parts of Glen Coe were used for long shots during Outlander‘s credits.

Sept 22, 23

Made sure we passed Loch Ness (book) to and from other adventures, such as our Jacobite Steam Train ride from Fort William (book) to Mallaig on the western coast and back. The train passes and stops at Glenfinnan after crossing the Glenfinnan Viaduct, which was used in the filming of Harry Potter. The Glenfinnan Monument is the site where the standard for the Jacobite Rising of 1745 was raised by Bonnie Prince Charlie.

                        Planned                                                                Actual

Screenshot from 2017-03-08 23:01:57_p-2d8-9_23-24

Screenshot from 2017-03-08 23:02:06_p-2-3_d9-10_24-25partial

Sept 25

Drove to Loch Rannoch area, Perthshire, sort of hunting for the site of Craigh na Dun‘s filming, surmising also about the location of the Mackenzie rent party’s rides on the way for Jamie to meet Horrocks through the forest near Aviemore, along the way to and from Rannoch Forest, Loch Rannoch, Rannoch Moor, and Kinloch Rannoch. It was actually somewhere on the nearby Dunalastair Estate where the Craigh na Dun set was created and filmed.

Sept 25, 26

Identified Inverness (book)-area Outlander filming and book sites to choose from, visiting the gorgeous Beauly Priory (book), mysterious Clava Cairns, and humbling Culloden Battlefield (book & film), as well as Cawdor Castle (the Macbeth castle), while skipping Loch Garve (book), Falls of Rogie, and Castle Leod (book) in Strathpeffer.

                        Planned                                                                Actual

Screenshot from 2017-03-08 23:02:16_p-3_d10-11_25-26

Sept 27, 28

Scouted and targeted Glasgow city centre and metro-area filming sites, including George Square, Glasgow Cathedral and Necropolis, Pollok Country Park, and the Outlander studios in nearby Cumbernauld. On our last day of sightseeing, we visited Linlithgow Palace, used to film the exteriors and corridors of Wentworth Prison in the last episodes of series 1, and finished the day at Hampden Park, home of the Scotland National Football Team, of the Celtic Rangers, and of the Scottish Football Museum. We ate a fabulous lunch at The Cotton House, in Longcroft, Bonnybridge, Stirlingshire (http://cotton-house.co.uk/).

                        Planned                                                                Actual

Screenshot from 2017-03-08 23:02:36_p-3_d12-14_27-29

Some days fulfilled the carefully assessed, vetted (by recent Scotland traveler friend), and revised plan, but most deviated quite a bit, and some plans were totally replaced. Overall, we managed to meet our priorities, fit in some spontaneity, and get sufficient rest to keep going.

End of the Tourist Season

One thing that really helped us was favorable weather for outdoor activity during the whole first half of the trip, including our day-long Outlander tour on the 17th. A mixture of sun and clouds with highs in the mid 50s to low 60s held strong through most of each day from September 16 to 23. From all I had heard, this was like winning the lottery. Actually, my research showed September to be generally drier than late summer, but we were lucky, too.

Before making final reservations at B&Bs, and for the Outlander and train tours, and before purchasing tickets for the play, I asked my husband whether he would prefer a train trip or a boat ride on Loch Ness. He chose the train. I originally preferred the boat cruise, but a train excursion turned out to be the wiser choice, as it rained the whole day of the 23rd and the train offered shelter and the occasion to nap, which hubby really needed at that point.

We had a rainy afternoon in Perthshire on the 24th while the west coast got hammered (we were lucky to miss the really bad stuff in Mallaig the day before), but we enjoyed a beautiful sun and clouds Culloden visit that morning. Then, the daylight hours of the last two days in the Highlands—25 and 26 in Inverness, Moray Firth coast, Beauly & the Black Isle—were uniformly gorgeous.

Once we got to Glasgow, our last leg of the trip, the rain mixed with the cloudy skies more often, but shelter was easy to come by and most of the 27th was conducive to picture taking at Glasgow Cathedral and around town. Finally, the 28th provided steady light rain throughout our visits to Linlithgow Palace (castle ruins), Outlander studios (front gate), Pollok Park (driving around), and Hampden Park (indoors).

The Verdict

My experience of this trip was so absolutely positive, I don’t hesitate to call it the best trip of my life, and my husband is nearly in agreement on that score. Thorough, careful planning surely played a key role in increasing the chances of such an outcome, but we must also give proper credit to the place, the sights, and the people.

What we might have done differently if we had a do-over

Top changes I would have made to smooth out the schedule, without looking at weather:

  1. Limit the 17th to only the 9-hour Outlander tour to reduce exhaustion for subsequent days. If possible, schedule our viewing of the play’s performance for the evening of the 16th instead.
  2. If possible, avoid scheduling exploration of Inverness-shire for Loch Ness Marathon weekend, for greater flexibility.
  3. Travel earlier in the tourist season to increase Jacobite Steam Train scheduling options.
  4. Book lodging at three major bases instead of four, to allow more time to explore and spend less time packing and unpacking, as well as adjusting to a new home base.
  5. Allocate sufficient time each evening to literally map out the next day’s specifics.
  6. Skip the interior of the Palace at Holyroodhouse, or reduce the time spent, in keeping with my lesser interest in pomp, circumstance, and royalty. Focus solely on its abbey ruins, and then climb Arthur’s Seat instead.
  7. Visit a local pub for a pint or a dram and strike up a conversation with a native.
  8. Walk less and see fewer sights during one of our packed days to make doing #5 and #7 more plausible.

Top changes I would have made if I were in better shape, without looking at weather:

  1. Add a whisky distillery tour in the Highlands or a whisky tasting experience in Edinburgh.
  2. Make the effort to climb up Arthur’s Seat near Holyroodhouse and take in the view of Edinburgh and environs.
  3. Climb all 237 steps to the top of Scott Monument, the tallest monument to a writer in the entire world.
  4. Visit Calton Hill for more views of the city from the opposite end nearest Edinburgh Castle.
  5. Do more hill walking among the lochs in the Trossachs, at Schiehallion near Rannoch, or around Loch Ness.
  6. Walk up and through the Necropolis path (also if I hadn’t been so fixated on capturing every last nook and cranny of the Cathedral) in Glasgow.

Top changes I would have made if we had had more time, without looking at weather:

  1. Spread out our Edinburgh sightseeing across 4 full days instead of 2.5 (18, 19, and only a bit of 17 and 16). Our last day in Edinburgh was a bit stressful as we tried to cram in all the best of the rest, including The Real Mary King’s Close (accomplished) and the Scottish Whisky Experience (skipped).
  2. Visit Gladstone’s Land and Georgian House for the Old Town-New Town classes comparison in Edinburgh.
  3. Make sure to enter a bookshop dedicated to selling books. This notion ended up on the chopping block, but I did purchase a National Trust Scotland book on Culloden, and Historic Environment Scotland books on Cairnpapple Hill near Edinburgh and on Linlithgow Palace.
  4. Go back to Culross to see West Kirk (the Black Kirk) and visit Hopetoun House (Sandringham) and/or spend more time at each stop of the Outlander tour, including Culross Palace and Falkland Palace.
  5. Go back to the National Museum of Scotland to take in more of its numerous galleries.
  6. See more waterfalls, try harder to see wildlife, and make a point of seeing sea wildlife, especially otters.
  7. Spend some leisure time enjoying the amenities and luxuries of Daviot Lodge, including the garden, the living rooms, and the huge bear-claw tub!
  8. Take a ferry to the Isle of Skye and explore it for at least a day, including the Fairy Pools and the Cuillin Mountains.
  9. Make a more concerted effort to find the Craigh na Dun set at Dunalastair Estate, Rannoch.
  10. See the Burrell Collection and/or Pollok House at Pollok Country Park, Glasgow.

Top changes I would have made to lighten the luggage load and save time, without re-considering weather:

  1. Pack fewer jeans and more leggings and light-weight, comfortable pants to reduce laundry needs and vacuum bag compressibility.
  2. Pack fewer toiletries and over-the-counter medical provisions, allowing occasions to purchase them as needed in Glasgow, Edinburgh, or Inverness areas.
  3. Pack no reading materials for leisure that were not directly related to the current trip; have audio books available instead.

What you can do

While careful, refined planning can have positive outcomes, as you have gathered by now, it’s no quick or easy process. I had to contact multiple service providers directly, exchanging emails with our tour guide at Glencorse Old Kirk and hosts at Daviot Lodge and Seabank B&B, arranging Alamo/Enterprise car hire (I was more successful at finding good rates than my travel agent was!), and booking the Jacobite Steam Train excursion, our viewing of the Lyceum Theatre play, and our Outlander tour directly from across the pond.

All of this was of course predicated on gaining intimate knowledge of distances and durations of travel between key towns and cities and spatial relationships among sites on our must-see list. I spent countless hours just perusing Google maps, creating personalized travel guides including a chart of distances between cities, and bookmarking and starring favorites toward making this a great trip.

Then, I familiarized myself with money-saving strategies such as purchasing Historic Environment Scotland’s Explorer Pass and National Trust Scotland’s membership to reduce costs at individual sites. In the end, it was cost effective to buy the Explorer Pass but not the NTS one in our particular case. I oriented myself to banking, traffic, and other infrastructural systems, often trying out apps for satnav/GPS, bus systems, and rail networks. I even had my husband program our Garmin Nuvi GPS with Scotland maps, which became indispensable when trying to save mobile data with phone satnav.

Glimpsing all the detail, reading, rehashing, clarification, and direct booking that went into my process should tell you one of a few things about your own planning. It may tell you either that:

  1. You had better get cracking and start planning well in advance if you insist on a DIY experience of some duration and are a first-time traveler to Scotland or the UK.
  2. This self-tailoring is not for you; your best bet is to trade flexibility for a pre-packaged set of experiences where the details are out of your hands and you can just relax and enjoy. Or,
  3. If you do like the idea of going it alone for whatever reasons and you’re confident you can take a much simpler approach than I did, perhaps in part because you don’t mind healthy doses of spontaneity, you can separate which factors are deal breakers and which ones you’re happy to leave to chance.

You may discover that you couldn’t care less about Scotland itself (or at least cared less than you thought you did) and are only interested in the Outlander attractions, or heaven forbid, vice versa. If so, more power to you, but if you can stomach the stress of it, I recommend splitting your focus between the two.

The good news is that Outlander‘s growing popularity continues to boost Scotland tourism (confirmed by both my own travel agent and Scottish news sources). As a result, more and more travel companies and touring services have added Outlander to their repertoire in one way or another or enhanced the offerings they already had.

Just remember for me in reading this post, the previous ones or the next, that . . .

(Disclaimer) It’s ultimately up to each of you as trip planners to verify details to make your stay go as smoothly as possible, details such as which sites are open to the public (not all are), how, and when, especially if you intend to take the DIY approach for all or part of your trip. I have and will continue to provide some resources to get you started, but information and access can change, and the location property owners and stewards have the final word, so be sure to do your own verifications.

Remember, for details about Outlander book and filming locations we personally sampled, see the start of An Outlander Tourist in Scotland series, sorted by region:

  • in part 1, Edinburgh, Palace at Holyroodhouse, and Glencorse Old Kirk
  • in part 2, Glasgow Cathedral, Pollok Country Park, and Outlander studios
  • in part 3, Loch Rannoch, Clava Cairns, Culloden, Beauly Priory, and bits about Inverness, the River Ness, and Loch Ness (Highlands)

I also provide insights with photo captions at Scottish Color: A Photo Essay.

In the next part of this travel guide series, we’ll focus on Outlander tour companies and tour options, along with film locations not covered in my first 3 posts, and bring together all the shared and unshared resources I used and liked. I’ll close with some thoughts on Outlander, Scotland, and general travel.

But wait! There’s more. In future posts, I’ll continue to highlight specific sites visited, services engaged, adventures experienced, and images captured during our trip. Keep coming back to my introductory post “Scotland Ventured, Scotland Gained.” to get the full scope of available bits from just after our trip last fall through the rest of this year.

I hope all this helps you get through Droughtlander, at the very least. Thanks for reading.


An Outlander Tourist in Scotland

The Complete Series

An Outlander Tourist in Scotland, Part 1
introduction and Central Lowlands filming sites (Edinburgh and environs), featuring the show’s Fort William, Castle Leoch, Crainsmuir, 1940s/1960s Inverness, and Lallybroch

An Outlander Tourist in Scotland, Part 2
Central Lowlands filming sites continued (Glasgow and environs), featuring L’Hôpital des Anges and the Bois du Boulogne of Paris, exterior for Culloden House, Outlander Studios in Cumbernauld (home of most interior sets), and some in the Southern Uplands such as Reverend Wakefield’s house and the Duke of Sandringham’s second home

An Outlander Tourist in Scotland, Part 3
introduction to the Highlands plus Highland filming and book sites from Perthshire & Glencoe northward, including the show’s Craigh na Dun, the real Fort William, Loch Ness, landmarks of the Frasers of Lovat and the Mackenzies, and Culloden Battlefield

An Outlander Tourist in Scotland, Part 4
our planning process and sample itineraries, all that went into making our trip great

Review: Slainte Scotland Outlander Tour + Outlander Tourism Resources
all about our Outlander day tour and all you need to plan your own, including a list of 40 book and filming sites used as of end 2017

An Outlander Tourist in Scotland, Part 6
a comprehensive, experience-based travel guide to visiting Scotland and the UKSave

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The Labor of Learning to Set Limits

Oh, Outlander‘s finale was grand indeed, but it was so . . . final. I thought I would follow it with at least one thorough blog response, but it proved too overwhelming to face fully, and the sorrow of finality echoed forward. Besides these, another emotional factor had already begun to influence my viewing prior to the last episode of the season–increasing disappointment with the essence of how Starz has adapted the central story relationship of Jamie and Claire. All together, these zapped my motivation even to start sorting.

My disappointment helped me realize that the other thing I needed to do was take a break from “obsessenaching,” which, for the uninitiated means fanatically obsessing like, with, or about Sassenach*, aka Claire Fraser/Caitriona Balfe/Jamie Fraser/Sam Heughan and the whole Outlander lot. I could see my life was straying farther and farther from any semblance of balance. I was having a series of dreams invaded by actor Sam Heughan.

Now, the only reason I feel comfortable enough to admit this, despite finding it rather embarrassing, is that my obsession has made me privy to the obvious fact that many, many other fans’ obsessions with Sam (as must be the case with most handsome stars of the large and small screens) are far more serious and crippling to those people. I am happily married after all and do not hang my self-esteem on whether or not a celebrity re-tweets or responds to my comment. Undoubtedly, dignity and cool would fail me were I actually to meet said celebrity, but never mind.

Although, like many women of retirement age–of which I am not yet technically one for decades to come (hopefully)–I have more “free” time than most people, I have yet to earn the privilege of actual retirement. Based on where I have indulged my pleasures, I’ve come to see: It is this privilege that allows so many Outlander fans of 20+ or 2 years’ duration to indulge their fanaticism.

In my compromised youth, I still recognize the imperative of making life count for something. But without religion, robust health, paid profession, or penchant for routine, I figure some kind of inner drive needs to take the role of holding oblivion at bay for an independent-minded yet provided-for married woman approaching middle age without children. I believe one can really save only herself.

I did take a break of sorts. I put away my Outlander images collection. I stopped re-watching season 2 episodes. I stopped using Twitter altogether, let alone allowing notifications of Sam’s and Caitriona’s latest tweets. I was helped in this by the need to reduce the use of my phone while it showed signs of dying.

But with a new phone came renewed vigor and curiosity about technological capacities, i.e., gadget toys, and soon, I was right back in it. I justified this by the notion that I wouldn’t want to be out of the loop right before our big trip to Scotland. Still to happen, that trip in itself is a direct outgrowth of my Outlander obsession. I have no small hope of bumping into the cast and crew during season 3 filming this fall. I continue to “interact,” i.e., tweet, with the likes of the show’s consultants, producers and other reps. I receive regular notifications of tweets from slightly more than a few of them.

A married couple who are friends of mine just returned from their own Scotland trip, and I made sure to ask them all about it. I have scoured the travel guides, in print and online, compiled details on the sights selected for our itinerary, and delegated GPS setup to the hubby. We’ve bought street maps, new clothes, new shoes, RFID-blocking wallets, international driver’s licenses, travel insurance, theater tickets, steam train tickets, sightseeing passes, a detachable Bluetooth keyboard for my tablet, and a new rain coat for me. I downloaded 30 some apps for use before and during the trip, including the UK Highway Code, a bus tracker, weather apps, general news and sightseeing apps, one for each hotel and other vendor we’re using, and Scotland tourism apps. I’ve been planning our trip since May, and there are a slew of tasks still on our list, but it’s finally almost here.

I am excited, to be sure, but also worried that I won’t have the physical strength and energy to tackle even half of the itinerary I’ve tentatively planned for us. I tried to be realistic and arrange alternatives for things to do each day, but at least one day will be a real doozy with a full-day Outlander tour followed by an evening play, and we’re going largely DIY with all this, including renting a car for most of the trip. I also worry that my poor track record with packing sensibly will plague this voyage, too.

Still, I’ve never prepared so well, for so long, and so . . . obsessively for travel as I have for travel to and around Scotland. The excursion will be the single longest vacation my husband and I have ever taken. We’ll likely get through it somehow, but I do hope the experience proves to be worth all the time, money, and work invested in it. Who knows when the chance will come again?

The good news for balance is that I continue to think about it and make efforts at routine productivity. I still tutor weekly, and I’m still writing, in spite of my unplanned hiatus from this blog of late. I’ve been working on a novel since the July Camp NaNo (see my previous post about Packing for Camp), and now that fall approaches, I anticipate pursuing it through November, the official National Novel Writing Month I’ve participated in for the past five years.

[Note on the future of this blog: I’ve refrained from going into details about it here, or doing much posting at all, for fear of disrupting my momentum. But I must admit that it doesn’t take much to do that, and more often than not, blogging about my writing projects has injected new life into them rather than shut them down. So, I guess, besides tales from the trip, I can feel confident in having more to write about at Philosofishal going forward.]

There are other positive signs of balance to acknowledge as well. I have carried the bulk of responsibility for planning our Scotland trip over time, but I haven’t neglected all household management in the mix. I’m in the process of reassessing my autoimmune conditions treatment plan, I’ve begun a new financial investment project for us, and I’ve started walking regularly, mostly for the trip but also to combat high triglycerides, excessive computer sitting, and chronic pain. More goals are also brewing.

Perhaps I’ve been more balanced and productive than I give myself credit for. My limitations have not been as limiting as I believed. It’s just that some health challenges have a special, enduring talent for disappointing long-held expectations. So it has been for me, and so follows the need to keep adjusting those expectations, embrace joy where I can, and continue to set reasonable limits, especially on my propensity to obsess.

Setting limits for oneself is about awareness, love, and the will both to refrain and to reach for better. The good that comes from setting good limits can shatter perceived limitations. What once seemed impossible becomes not only possible but proven. Making wise limit setting a habit then means acknowledging that proof and using it to fuel future action.

Know_Your_Limitations_Then_Defy

Easier said than done.

To make it doable, I think I’ll work to visualize myself going through something like a par course or speed dating session with my various tasks and projects. (Picturing actual juggling just intimidates me.) No one can go, go, go forever; we all need rest after running the course. For me, though, the emphasis is different because chronic health issues make restfulness from sleep a fantasy and daily rest rather void. For me, maintaining and strengthening balance largely means remembering to change the status quo: to get up, move from one foot to the other, keep moving, take a brief rest, and repeat the cycle.

Learning to prioritize and set limits on the consumption of time, while it imposes its own limits, is my greatest challenge and experiment.


For more about the term “sassenach,” see:

Outlander | Speak Outlander Lesson 1: Sassenach (video featuring Sam Heughan, lead actor, and Adhamh O Broin, Gaelic Consultant for the show) | STARZ (2013)

Dictionary.com definition of “sassenach”

“Scots Word of the Season: Sassenach” by Maggie Scott | The Bottle Imp (date not specified)


Season 3

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Women’s World Cup: Lionesses must roar once more in play-off against Germany

The 3rd place match of the FIFA Women’s World Cup Canada 2015 airs on FOX 3:45pm Eastern from Edmonton. The final between the U.S. and Japan airs tomorrow, July 5, at 7:00pm.

The Offside Rule

By Andrew Gibney.

England’s semi-final defeat to holders Japan was filled with mixed emotions on both sides of the Atlantic as around 2.4million UK viewers tuned in during the early hours. After a heartbreaking end to a terrific tournament, Mark Sampson’s team must lift themselves for the play-off.


There was an extreme swell of pride towards the Lionesses, but the devastation was there to see on the faces of the players, bravely facing interviews in the aftermath of their last-gasp 2-1 defeat to Japan in Edmonton.

The play-off for third place against Germany may been seen as something of a dead rubber, but for Mark Sampson and his squad of 23, it should still be a huge matter of importance and perhaps England’s best chance to show just how far they have come as a team.

Back in November, 45,000 fans turned up to watch England play their first international…

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On Process: Verse Writing, Part III: Home Stretch and Final Draft

On Part II

In my last post, I laid down a heavy, lengthy development process for your consideration. Now I feel giddy and light with the surety of being finished and knowing it truly has been worth the effort. In this post, I’ll reveal how that happened and share some of my favorite resulting lines of verse from my original elegy. It’s so exciting to be able to deliver on the promise! I’m relieved and a bit surprised, actually. . . .

Feel free to comment or tweet @Carrielt37.


The Verse Writing Process, Part III: Home Stretch and Final Draft

I have been through the wilderness and come out the other side refreshed, enlightened, and satisfied–about my poetry writing, that is. And let me assure you, this is an extremely rare feeling when I write poetry. While the drafting phase was somewhat cyclical and cumulative, toward its end, three distinct steps emerged: (1) final development/drafting and revision, (2) evaluation and final revision, and (3) “proofreading” or polish.

Final development/drafting and revision

At the beginning of this phase, which was after that 15+ step development period, I have to admit I was right in the thick of the woods, wondering how the heck I was going to find my way out.question-mark-maze-8643312This phase included a somewhat disorganized process of line scansion for meter, writing and rewriting to balance rhymes with language and ideas, adding ideas both in meter and disregarding it, plucking individual lines and isolated stanzas or series of stanzas from earlier drafts to place in the next iteration, and ultimately, leaving a ton of poetry behind. It was messy, but those discards may bear fruit elsewhere, some other time. It also took several days of wrestling with and ignoring the work, by turns.

In between sessions, I watched the film Star Trek II: The Wrath of Khan, which (spoiler alert) ends in Spock’s death, caught a glimpse of a tabloid headline targeting Nimoy’s demons, and read an article featuring synopses of the author’s top five favorite Spock-focused books. I allowed these experiences to inform and influence the poem’s development, adding ideas and reflecting on, and sometimes slightly altering, the ones I’d already put down.

Once the larger mess was behind me, I felt freer to re-order stanzas, sections, and lines within stanzas, and to revise content within and across stanzas. The poem began to take real shape.

Know_Your_Limitations_Then_DefyEvaluation and final revision

Although there were moments when the evaluation period seemed both self-congratulatory and extraneous, by the end, I felt thoroughly reassured of my poem’s finished status.

First, I assessed the progression of ideas after having done all that rearranging in the last step. Check. Then, I looked at how well the parts fit together as labeled with Roman numerals, reflecting the turning points in that progression. I moved the middle three numbers up or down one or two stanzas to improve the divisions.

Next, I gave final thought to the detailed poetic aspects: rhyme scheme, meter and rhythm, point of view between personal and universal, Spock and Leonard, topic focus and shifts therein, elegiac characteristics, other poetic devices, the alignment of content with form, the symmetry or circularity of the poem’s five-parted structure, and the effectiveness of repetition of concepts. Check, check, check, check, check! See Poetry Foundation’s Glossary Terms for more information about poetic devices.

There may be dozens of other little decisions I made more automatically based on my experience with writing and reading iambic tetrameter, studying sample elegies, and being an active poet and poetry reader for most of my life.

For some examples, I strove to avoid filler words that are empty of meaning–too many prepositions or articles–used alliteration, assonance, consonance, internal rhyme, near rhyme (end rhymes that are not exact, a.k.a. off rhyme or slant rhyme), what I hope are subtle puns, a formal tone with archaic word choice, a corresponding inversion of syntax (think Yoda speak) and interjections both to make rhymes work better more often, and rhetorical questions.

Decisions_arrows_sproutingSpecific to this poem were intentional placements of Spock sayings, physical and personality descriptions, multiple meanings for terms such as “dust,” “space,” and “soul,” veiled allusions to real life and other celebrities, and practice imitating the usual features of the elegy’s form and spirit. All of these decisions continued from early development through final polish.

Incidentally, I neglected to mention in my first post of this series the prep work I did, studying and taking notes on several famous, modern elegies by the likes of Auden, Gray, Yeats, and Housman.

And to fulfill the parameters of the original assignment from The Daily Post‘s free, online course Writing 201: Poetry, I made sure I added fog as a concept and metaphor as a device into my elegy.

“Proofreading” or polish

I put proofreading in quotes because I see finalizing my own verse as a very different process from helping students clean up a piece of prose. Every choice of punctuation, preposition, noun, and pronoun change in verse writing for me is fundamentally a poetic decision more so than a matter of correction.

Still, there are corrections to make, too, usually affecting the meaning of a line, or sentence across lines, toward more precise communication of my intended message, rather than fixing true grammar errors. This last step is usually brief and includes formatting my poem into columns.

The schedule?

My journey began on February 27th, the day Leonard Nimoy died, by writing thoughts and feelings on paper. The idea development step of the process took about 3-4 days. I first starting typing things up on March 2nd. Then, from March 7th, the drafting/poem development step took 4-5 days of actual work with days off in between. I spent between 1 and 3 hours for each sitting.

Due to my flexible schedule, I varied the time of day I worked. On a few occasions, I stayed up late, drawing my juice from my night-owl tendencies, starting work at 11:30 or midnight and working until 2 or 3 a.m. (I work as an online tutor part-time during afternoons, evenings, and weekends.) In my eagerness for results, I woke up very early for me the morning of March 16th to cross the finish line.

And what about those results?

The final product is a five-part elegy of a total of 29 four-line stanzas. Here are some of my favorite parts of the elegy I wrote in honor of Leonard Nimoy and his signature creation, Spock.

The first half of part III:

Where you once dwelt a single being--
two souls' two places, space and scene--
now mystifies the Star Trek fan,
bereft the hope you'd play again.

Let none suggest unjustified
the love of you, ironic pride,
for plain as scientific fact
reflects your greatness humbly back.

Who but you could teach us best,
less science, more about ourselves?
Who but Spock win skeptic minds 
and reaffirm all humankind?

Of man, of myth, of dual soul—
one resurrected, one immortal
—how can there be a final end
to he who was and shall be friend?

The final two stanzas of the poem, part V:

We clasp the artifacts of you
to fire our hearts and douse our blues.
Galactic space, your last frontier,
asks how you feel, O pioneer.

For you, we blest, stout hearted shall
declare, “Just fine,” return the call, 
as each horizon bears us forth,
to star-lit skies, our truest north.

? How do you decide when your poem is truly finished?

? When in poetry writing does one reach a point of diminishing returns?


In my last post of this series, On Process: Verse Writing, Part IV: Reflection, I will reflect on the process as a whole, sharing a summary of lessons learned, milestones reached, and impressions of the exercise of chronicling my verse writing process.

If you’re just joining me and would like to read about how this project began, go to On Process: Verse Writing, Introduction and Part I: Motivation and follow the bread crumbs from there.

I welcome your comments or tweets @Carrielt37.