Reblogged from my friends at Assholes Watching Movies.
Here’s my comment on their post and the discussion (spoilers included).
Agreed about Jyn’s underdevelopment, along with that of Cassian (Diego Luna), and how unconvincing her 180 shift was. Not clear where she gets her fearlessness. Hubby thought this was more of a real story than the others–not just a bunch of explosions–but I think that’s unfair to eps 4-7. I agree with him Rogue One is better than The Force Awakens, but not by much. Tone is slightly different in a good way, but I found this early plot a little unclear, and the darkness felt more bleak due to insufficient character development.
Great K2-SO. Loved the nods to fans, even fighter pilot leaders. Unhappy with the Tarkin CG, I found it distracting, but, yes, a bit inevitable. The Director was a sort of blah as a villain, but high stakes really did come across more strongly for the Rebels than in the other films, except A New Hope. Also, refreshingly, this was the only film in which the question of tolerating oppression arose. As Jyn says, it’s not so bad “if you don’t look up.” It drives home the point that it’s no picnic for anyone under the Empire, not just for the Rebel Alliance.
Cinematically, I loved the shield gate battle on Scarif, like a blend of the space part of the Battle of Endor in Return of the Jedi, with Akbar-like characters, and assault on the Death Star in A New Hope, with the theme of getting into tight spaces to save the day (Jyn and Cassian, and Princess Leia’s officers with the plans). I found what the Empire chose to do on Scarif at the end to be a bit shocking, which stressed their evilness. The battle was a great, complex assault with multiple heroics on the beach, in the tower, and at the planet’s gate.
Yes, as a prequel into A New Hope, Rogue One was seamless and nearly flawless. Key things are explained that we never learn about anywhere else, like energy sources for Death Star and light sabers. Interesting that the Empire uses the Death Star in other, “smaller” ways prior to erasing Alderaan. The only connective improvement might have been a re-showing of the droids on Leia’s vessel to remind us they’d be there. Their single appearance without that felt forced. Darth Vader, yes. More Darth Vader, please. Loved it overall.
Rogue One is the movie the prequels should have been. It is fresh, entertaining, and necessary. Rogue One’s humour works for adults as well as five year olds (though any self-aware Star Wars fan must acknowledge that the gap there for us is not all that wide). Rogue One links to what we’ve seen before in a way that feels natural and rewards fans who are familiar with every scene of the original trilogy, and leads into the known end point of A New Hope without any trouble whatsoever.
Rogue One is also a movie that could never have been made under George Lucas’ watch. I do not even want to imagine how he would have approached this story, but tonally Rogue One is entirely different than all the movies that have come before, and better for it. This is not a classic adventure serial, it is a war movie…
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